There were two silent spectators of this little dialogue. One was
Wahchewin, the other was Ohitika. The woman had been invited to stay,
although only a neighbor. The dog, by force of habit, had taken up his
usual position by the side of his master when they entered the teepee.
Without moving a muscle, save those of his eyes, he had been a very
close observer of what passed.
Had the dog but moved once to attract the attention of his little
friend, he might have been dissuaded from that impetuous exclamation:
"Grandmother, I will give up any of my possessions!"
It was hard for Uncheedah to tell the boy that he must part with his
dog, but she was equal to the situation.
"Hakadah," she proceeded cautiously, "you are a young brave. I know,
though young, your heart is strong and your courage is great. You will
be pleased to give up the dearest thing you have for your first
offering. You must give up Ohitika. He is brave; and you, too, are
brave. He will not fear death; you will bear his loss bravely.
Come,--here are four bundles of paints and a filled pipe,--let us go to
the place!"
When the last words were uttered, Hakadah did not seem to hear them. He
was simply unable to speak. To a civilized eye, he would have appeared
at that moment like a little copper statue. His bright black eyes were
fast melting in floods of tears, when he caught his grandmother's eye
and recollected her oft-repeated adage: "Tears for woman and the
war-whoop for man to drown sorrow!"
He swallowed two or three big mouthfuls of heartache and the little
warrior was master of the situation.
"Grandmother, my Brave will have to die! Let me tie together two of the
prettiest tails of the squirrels that he and I killed this morning, to
show to the Great Mystery what a hunter he has been. Let me paint him
myself."
This request Uncheedah could not refuse, and she left the pair alone
for a few minutes, while she went to ask Wacoota to execute Ohitika.
Every Indian boy knows that, when a warrior is about to meet death, he
must sing a death dirge. Hakadah thought of his Ohitika as a person who
would meet his death without a struggle, so he began to sing a dirge
for him, at the same time hugging him tight to himself. As if he were a
human being, he whispered in his ear:
[Illustration: He began to sing a dirge for him. _Page 140._]
"Be brave, my Ohitika! I shall remember you the first time I am upon
the war-path in the Ojibway country."
At last he heard Uncheedah talking with a man outside the teepee, so he
quickly took up his paints. Ohitika was a jet-black dog, with a silver
tip on the end of his tail and on his nose, beside one white paw and a
white star upon a protuberance between his ears. Hakadah knew that a
man who prepares for death usually paints with red and black. Nature
had partially provided Ohitika in this respect, so that only red was
required and this Hakadah supplied generously.
Public-domain text, read in full here on John Shaqi.
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