Americans -- Italy -- Fiction; Italy -- Fiction; Love stories; Middle-aged men -- Fiction; Midlife crisis -- Fiction
"The difficulty is to read a little of Florentine history. I can't find
anything in less than ten or twelve volumes," said Mrs. Bowen. "Effie
and I were going to Viesseux's Library again, in desperation, to see if
there wasn't something shorter in French."
She now offered Colville her hand, and he found himself very reluctant
to let it go. Something in her looks did not forbid him, and when she
took her hand away, he said, "Let me go to Viesseux's with you, Mrs.
Bowen, and give you the advantage of my unprejudiced ignorance in the
choice of a book on Florence."
"Oh, I was longing to ask you!" said Mrs. Bowen frankly. "It is really
such a serious matter, especially when the book is for a young person.
Unless it's very dry, it's so apt to be--objectionable."
"Yes," said Colville, with a smile at her perplexity. He moved off down
the slope of the bridge with her, between the jewellers' shops, and felt
a singular satisfaction in her company. Women of fashion always
interested him; he liked them; it diverted him that they should take
themselves seriously. Their resolution, their suffering for their ideal,
such as it was, their energy in dressing and adorning themselves, the
pains they were at to achieve the trivialities they passed their lives
in, were perpetually delightful to him. He often found them people of
great simplicity, and sometimes of singularly good sense; their frequent
vein of piety was delicious.
Ten minutes earlier he would have said that nothing could have been less
welcome to him than this encounter, but now he felt unwilling to leave
Mrs. Bowen.
"Go before, Effie," she said; and she added, to Colville, "How very
Florentine all this is! If you dropped from the clouds on this spot
without previous warning, you would know that you were on the Ponte
Vecchio, and nowhere else."
"Yes, it's very Florentine," Colville assented. "The bridge is very well
as a bridge, but as a street I prefer the Main Street Bridge at Des
Vaches. I was looking at the jewellery before you came up, and I don't
think it's pretty, even the old pieces of peasant jewellery. Why do
people come here to look at it? If you were going to buy something for a
friend, would you dream of coming here for it?"
"Oh _no_!" replied Mrs. Bowen, with the deepest feeling.
They quitted the bridge, and turning to the left, moved down the street
which with difficulty finds space between the parapet of the river and
the shops of the mosaicists and dealers in statuary cramping it on the
other hand.
"Here's something distinctively Florentine too," said Colville. "These
table-tops, and paper-weights, and caskets, and photograph frames, and
lockets, and breast-pins; and here, this ghostly glare of undersized
Psyches and Hebes and Graces in alabaster."
"Oh, you mustn't think of any of them!" Mrs. Bowen broke in with horror.
"If your friend wishes you to get her something characteristically
Florentine, and at the same time very tasteful, you must go--"
Public-domain text, read in full here on John Shaqi.
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