This is the principal occasion taken by those concerned to recount their former deeds of valor or coups. The whole camp being spectators, and the bravest of them present, also many in whose company the acts now about to be published had been performed, makes it indispensable that the boasts of the warriors should be confined to the limits of truth. After one round has been danced a warrior (one of the dancers) steps forth in the middle of the ring and speaks in a loud voice to this effect, using his gun or lance in gesticulation: “One or two years since, he, in company with 15 others, went upon the Blackfeet and succeeded in bringing away 40 of their enemies’ horses” [here the drum is tapped once]. “On another occasion in a battle with the Crow Indians six years since he struck an enemy the first” [here follows two taps on the drum]. “At another time he struck two enemies the second, took a gun and a tomahawk from the dead enemies” [four taps on the drum]. “Also that in battle he took an enemy’s horse” [one tap]. “That he fired fifteen shots” [one tap]. “Four years since, being near the Blackfeet camp with six others in quest of horses, they were discovered and pursued but succeeded in making their escape” [one tap on the drum]. “Alone and on foot he, three years since [naming the place] killed and brought to camp a full-grown grizzly bear” [one tap on the drum]. “Behold where one of the balls of the Blackfeet broke my arm” [one tap]. “Here an arrow pierced my thigh” [another sound of the drum], etc., until he has run through the catalogue of his meritorious acts, when he is honored with a general shout of approbation, the music strikes up, the song commences, and another round or two being performed, another warrior recounts his coups in the same manner. In this way they continue until all who wish have had an opportunity of renewing the remembrance of their past deeds, and reestablishing their importance as braves in the eyes of their countrymen. It takes some hours to prepare for and perform this dance and it is only done twice or thrice a year. Although the performers are naked, yet there is no idea of indecency[29] attached to this fact. They are in a manner obliged to appear in this state so that they may publicly expose and point out any wound they may have received in battle. [29] This viewing of the nude human figure without a feeling of a sense of indecency is confirmed by the Swiss artist, Frederick Kurz, in his Journal, already cited in the preface. Wounds behind are fully as honorable as those before. Running away where success is impossible is more commended than death or defeat by remaining. The number of shots a man has fired during the fight, if over 10, counts a coup, inasmuch as it shows he has stood his ground long enough to fire that many.