Indian Tribes of the Upper Missouri: Edited with Notes and Biographical SketchDenig, Edwin Thompson
History
Indian Tribes of the Upper Missouri: Edited with Notes and Biographical Sketch
Denig, Edwin Thompson
Assiniboine Indians; Indians of North America -- Missouri River Valley
When ready they all start off at a swift pace and describe the movement
of the coiling of a snake, and when wound up in this form, all commence
jumping up and down, striking one foot immediately after the other on
the ground, keeping exact time, and all singing with the music for the
space of about a minute, when a general flourish on the drums and a
shout or yell from the dancers concludes that round, and their places
in line are resumed.
Some one of them now steps forward and counts his coups in the same
manner as pointed out in the Brave Dance, which is succeeded by another
movement in dancing, which is again followed by another speaking, and
so on until all who wished have spoken, the drum denoting by taps the
value and number of coups thus counted by each.
The whole concludes by a feast given by one or more of the most
distinguished members of this club, during which their professions of
amity and assistance are renewed, and presents often exchanged; the
musicians also partake of the repast.
This club is composed of men from 20 to 25 or 28 years of age.
DUCK DANCE (PAKHAN´TAH WAH-CHE).—This is done by the band who bear
that name and are not so numerous as the others. The same principles
govern their proceedings, being to seek this occasion to publish and
perpetuate the memory of their past deeds on the battle fields. The
dancers are all naked except the breechcloth, which hangs down before
and behind one or two yards. Their bodies are painted in various ways,
principally striped, according to the fancy of the individuals. No arms
are carried in the dance, but they hold in their hand a flat striped
painted stick about 2 feet long, with which they keep the time. Women
are excluded from the ring but form a portion of the music. All sing,
both dancers and drummers. The evolutions are: Commencing in a ring,
they mingle together for a few minutes and conclude with a general
shout, after which coups are counted by those who wish, or who are
able, as in the preceding. The time, step, and figure of every dance
differ, but we can not describe them so as to be understood.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account