France -- Fiction; Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- France -- Fiction
It was a fitting subject for Rembrandt's brush, that interior, dimly
lighted by the fire on the hearth. At intervals fugitive white gleams
lighted up the room and the faces, then, changing to the red tint of the
embers, gradually died away; the gloom of the salon varying as the
fitful gleams grew more or less dull. Each time that Monsieur Delmare
passed in front of the fire, he suddenly appeared, like a ghost, then
vanished in the mysterious depths of the salon. Strips of gilding stood
forth in the light now and then on the oval frames, adorned with wreaths
and medallions and fillets of wood, on furniture, inlaid with ebony and
copper, and even on the jagged cornices of the wainscoting. But when a
brand went out, resigning its brilliancy to some other blazing point,
the objects which had been in the light a moment before withdrew into
the shadow, and other projections stood forth from the obscurity. Thus
one could have grasped in due time all the details of the picture, from
the console supported by three huge gilded tritons, to the frescoed
ceiling, representing a sky studded with stars and clouds, and to the
heavy hangings of crimson damask, with long tassels, which shimmered
like satin, their ample folds seeming to sway back and forth as they
reflected the flickering light.
One would have said, from the immobility of the two figures in bold
relief before the fire, that they feared to disturb the immobility of
the scene; that they had been turned to stone where they sat, like the
heroes of a fairy tale, and that the slightest word or movement would
bring the walls of an imaginary city crumbling about their ears. And the
dark-browed master, who alone broke the silence and the shadow with his
regular tread, seemed a magician who held them under a spell.
At last the dog, having obtained a smile from her master, yielded to the
magnetic power which the eye of man exerts over that of the lower
animals. She uttered a low whine of timid affection and placed her fore
paws on her beloved's shoulders with inimitable ease and grace of
movement.
"Down, Ophelia, down!"
And the young man reproved the docile creature sternly in English,
whereupon she crawled toward Madame Delmare, shamefaced and repentant,
as if to implore her protection. But Madame Delmare did not emerge from
her reverie, and allowed Ophelia's head to rest on her two white hands,
as they lay clasped on her knee, without bestowing a caress upon her.
"Has that dog taken up her quarters in the salon for good?" said the
colonel, secretly well-pleased to find a pretext for an outburst of
ill-humor, to pass the time. "Be off to your kennel, Ophelia! Come, out
with you, you stupid beast!"
Public-domain text, read in full here on John Shaqi.
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