France -- Fiction; Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- France -- Fiction
Consider further that the narrator has not taken for text or devise a
few shrieks of suffering and wrath scattered through the drama of human
life. He does not claim to conceal serious instruction beneath the
exterior form of a tale; it is not his aim to lend a hand in
constructing the edifice which a doubtful future is preparing for us and
to give a sly kick at that of the past which is crumbling away. He knows
too well that we live in an epoch of moral deterioration, wherein the
reason of mankind has need of curtains to soften the too bright glare
which dazzles it. If he had felt sufficiently learned to write a
genuinely useful book, he would have toned down the truth, instead of
presenting it in its crude tints and with its startling effects. That
book would have performed the functions of blue spectacles for weak
eyes.
He does not abandon the idea of performing that honorable and laudable
task some day; but, being still a young man, he simply tells you to-day
what he has seen, not presuming to draw his conclusions concerning the
great controversy between the future and the past, which perhaps no man
of the present generation is especially competent to do. Too
conscientious to conceal his doubts from you, but too timid to transform
them into certainties, he relies upon your reflections and abstains from
weaving into the woof of his narrative preconceived opinions, judgments
all formed. He plies with exactitude his trade of narrator. He will tell
you everything, even painful truths; but, if you should wrap him in the
philosopher's robe, you would find that he was exceedingly confused,
simple story-teller that he is, whose mission is to amuse and not to
instruct.
Even were he more mature and more skilful, he would not dare to lay his
hand upon the great sores of dying civilization. One must be so sure of
being able to cure them when one ventures to probe them! He would much
prefer to arouse your interest in old discarded beliefs, in
old-fashioned, vanished forms of devotion, to employing his talent, if
he had any, in blasting overturned altars. He knows, however, that, in
these charitable times, a timorous conscience is despised by public
opinion as hypocritical reserve, just as, in the arts, a timid bearing
is sneered at as an absurd mannerism; but he knows also that there is
honor, if not profit, in defending lost causes.
Public-domain text, read in full here on John Shaqi.
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