France -- Fiction; Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- France -- Fiction
The honors of the evening were universally accorded to a young woman
whose name no one knew, and who enjoyed the privilege of monopolizing
attention because her appearance in society was a novelty. The
simplicity of her costume alone would have sufficed to make her a
distinguished figure amid the diamonds, feathers and flowers in which
the other women were arrayed. Strings of pearls woven into her black
hair were her only jewels. The lustreless white of her necklace, her
crêpe dress and her bare shoulders blended at a little distance, and
the heated atmosphere of the apartments had barely succeeded in bringing
to her cheeks a faint flush of as delicate a shade as that of a Bengal
rose blooming on the snow. She was a tiny, dainty, slender creature; a
salon type of beauty to which the bright light of the candles gave a
fairylike touch, and which a sunbeam would have dimmed. When she danced
she was so light that a breath would have whisked her away; but in her
lightness there was no animation, no pleasure. When she was seated she
bent forward as if her too flexible body lacked strength to support
itself, and when she spoke she smiled sadly. Fantastic tales were at the
very height of their vogue at this period. Accordingly, those who were
learned in that line compared this young woman to a fascinating
apparition evoked by sorcery, which would fade away and vanish like a
dream when the first flush of dawn appeared on the horizon.
Meanwhile they crowded about her to invite her to dance.
"Make haste," said a dandy of a romantic turn to one of his friends;
"the cock will crow soon, and even now your partner's feet have ceased
to touch the floor. I'll wager that you can't feel her hand in yours."
"Pray look at Monsieur de Ramière's dark, strongly-marked face," said
an _artistic_ lady to her neighbor. "Contrast him with that pale,
slender young woman, and see if the _solid_ tone of the one doesn't make
an admirable foil for the _delicate_ tone of the other."
"That young woman," said a woman who knew everybody and who played the
part of an almanac at social functions, "is the daughter of that old
fool, De Carvajal, who tried to play Joséphin, and who died ruined at
Ile Bourbon. This lovely exotic flower has made a foolish marriage, I
believe; but her aunt stands well at court."
Raymon had drawn near the fair Indian. A peculiar emotion seized him
every time that he looked at her; he had seen that pale, sad face;
perhaps in some dream, but at all events he had seen it, and his eyes
rested upon it with the delight we all feel on seeing once more a
charming vision which we thought that we had lost forever.
Raymon's gaze disturbed her who was the object of it; she was awkward
and shy, like a person unaccustomed to society, and the sensation that
she caused seemed to embarrass rather than to please her. Raymon made
the circuit of the salon, succeeded finally in learning that her name
was Madame Delmare, and went and asked her to dance.
Public-domain text, read in full here on John Shaqi.
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