France -- Fiction; Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- France -- Fiction
In general--and women are well aware of it--a man who talks wittily of
love is only moderately in love. Raymon was an exception; he expressed
passion artistically and felt it ardently. But it was not passion that
rendered him eloquent, it was eloquence that made him passionate. He
knew that he had a weakness for women, and he would become eloquent in
order to seduce a woman and fall in love with her while seducing her. It
was sentiment of the sort dealt in by advocates and preachers, who weep
hot tears when they perspire freely. He sometimes fell in with women who
were shrewd enough to distrust these heated improvisations; but he had
committed what are called follies for love's sake: he had run away with
a girl of noble birth; he had compromised women of very high station; he
had had three sensational duels; he had displayed to a crowded evening
party, to a whole theatre full of spectators, the bewilderment of his
heart and the disarray of his thoughts. A man who does all this without
fear of ridicule or of curses, and who succeeds in avoiding both, is
safe from all assault; he can take any risk and hope for anything. Thus
the most skilfully constructed defences yielded to the consideration
that Raymon was madly in love when he meddled with love at all. A man
capable of making a fool of himself for love is a rare prodigy in
society, and one that women do not disdain.
I do not know how it happened, but when he escorted Madame de Carvajal
and Madame Delmare to their carriage he succeeded in putting Indiana's
little hand to his lips. Never before had a man's furtive, burning kiss
breathed upon that woman's fingers, although she was born in a fiery
climate and was nineteen years old; nineteen years of Ile Bourbon, which
are equivalent to twenty-five in our country.
Ill and nervous as she was, that kiss almost extorted a shriek from her,
and she had to be assisted into the carriage. Raymon had never come in
contact with such a delicate organization. Noun, the creole, was in
robust health, and Parisian women do not faint when their hands are
kissed.
"If I should see her twice," he said to himself as he walked away, "I
should lose my head over her."
The next morning he had completely forgotten Noun.
All that he knew about her was that she belonged to Madame Delmare. The
pale-faced Indiana engrossed all his thoughts, filled all his dreams.
When Raymon began to feel the shafts of love he was in the habit of
seeking to distract his thoughts, not in order to stifle the budding
passion, but, on the contrary, to drive away the reasoning power that
urged him to weigh its consequences. Of an ardent temperament, he
pursued his object hotly. He had not the power to quell the tempests
which arose in his bosom, nor to rekindle them when he felt that they
were dying away and vanishing.
Public-domain text, read in full here on John Shaqi.
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