For a week I had been on my toes, so to speak. Two thousand tourists,
threescore official guests, including a dozen observing Indian Agents
and the Colonel and everything, had caused me to become a trifle
peevish. The Dance was over; the tumult and the shouting had died, the
captains and the kings were departing. And so was an insolent
crank-operator with a valuable film. Too much is enough.
We got him. He will never forget it.
Because of this untoward happening, and the wild cries of wounded
vanity heard in Washington, the Commissioner became annoyed. He issued
a crushing order that no photographs, still, animated, or out of focus,
should be permitted thereafter. Thus all innocents are restricted to
this day, and the official in charge reaps the criticism. He must
locate and check the cameras on the day of the Snake Dance, a terrible
procedure, bringing him into argument with almost everyone. This must
be done because a few tourists may not be trusted to obey the order. A
very foolish order. Nearly everyone was happy when he could bang away a
roll of films for the family album and for a fee of one dollar. The
tourist loses his chance to vie with Edward Curtis, and the Indians
lose their feast money.
The reason for such an order against the movies? Well, it would never
do to puff, through an entire administration, that all our Indians are
domesticated, tamed, and engaged regularly in singing “Onward Christian
Soldiers,” and then to have a spine-thrilling vision flashed up in
every movie-theatre each September. Some of the mildest of the Hopi are
members of the Snake clan, and go their peaceful ways at Walpi; but
they zealously enact their parts in the pageant every second year; and
to see those fellows painted ferociously, garbed in savage dress, with
snakes held in their mouths—yes, in their mouths; and two or three
active snakes can weave a revolting mask for a painted face—
I can conceive of no more terrible close-up than that of a Snake
Priest, coming toward one with eyes glaring, cheeks and chin painted
black, his mouth a huge white daub, and snakes, some of them with
rattles, feeling around his ears, through his hair, and about his face
and neck. This would never do for general consumption. The public would
accept such a pictorial news-item as proof that these continental
United States contain savages very like those who beat the awesome
drums in Conrad’s Heart of Darkness.
Public-domain text, read in full here on John Shaqi.
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