United States -- Social life and customs -- 19th century -- Fiction; Women -- Social conditions -- Fiction
"Then I venture the assertion that you would not recognize her should
you see her in one of her favourite and famous _roles_. When, where,
or by whom she was trained I know not, but some acquaintance with the
most popular ornaments of her profession justifies my opinion that no
more cultivated or artistic actress now walks the stage than Madame
Odille Orme. She is no mere _amateur_ or novice, but told me she had
laboriously and studiously struggled up from the comparatively menial
position of seamstress. Even in Paris I have never heard a purer,
finer rendition of a passage in _Phedre_ than one day burst from her
lips in a moment of deep feeling, yet I cannot tell you how or where
she learned French. She made her _debut_ in tragedy, somewhere in the
West, and when she reappeared in New York her success was brilliant.
I have never known a woman whose will was so patiently rigid, so
colossal, whose energy was so tireless in the pursuit of one special
aim. She has the vigilance and tenacity of a Spanish bloodhound."
"In the advancement of her scheme, do you believe her capable of
committing a theft?"
"What do you denominate a theft?"
The piercing black eyes of the lawyer were fixed with increased
interest upon the clergyman.
"Precisely what every honest man means by the term. If Mrs. Orme
resolved to possess a certain paper to which she had been denied
access, do you think she would hesitate to break into a house, open a
secret drawer, and steal the contents?"
"Not unless she had a legal right to the document, which was unjustly
withheld from her, and even then my knowledge of the lady's character
inclines me to believe that she would hesitate, and resort to other
means."
"You consider her strictly honest and truthful?"
"I am possessed of no facts that lead me to indulge a contrary
opinion. Suppose you state the case?"
Briefly Mr. Hargrove narrated the circumstances attending his last
interview with Regina's mother, and the loss of the tin box, dwelling
in conclusion upon the perplexing fact that in the recent letter
received from her relative to her daughter's removal to the
parsonage, Mrs. Orme had implored him to carefully preserve the
license he had retained as the marriage certificate in her possession
might not be considered convincing proof, should litigation ensue. He
could not understand the policy of this appeal, nor reconcile its
necessity with his conviction that she had stolen the license.
Joining his scholarly white hands with the tips of his fingers
forming a cone, Mr. Palma leaned back in his chair and listened,
while no hint of surprise or incredulity found expression in his
cold, imperturbable face. When the recital was ended, he merely
inclined his head.
"Do you not regard this as strong evidence against her? Be frank, Mr.
Palma."
Public-domain text, read in full here on John Shaqi.
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