60 Right foot. _Idem_ 160
61–70 Hands and feet of lower animals,
showing papillary ridges 161, 163–166, 168
71 Flexures on palm of right hand.
Drawing made from impression 171
72–79 Flexures on hands and feet of various
lower animals 172–175
80 Drawing of flexures of sole of foot of man,
young adult 176
CHAPTER I.
FROM KNOWN TO UNKNOWN
Upward--still upward--still upward to the highest! Such is the claim
of modern man for the story of himself and the lower inhabitants of
the globe. The zoologists have gone so far as to confer upon him the
surname Sapiens--Homo Sapiens. Learned indeed he is, and heir of all
the ages, but whether or not his assumed surname be warranted the
doctrine of descent with modification can never again be questioned.
The work of Darwin was crowned when he compelled a general acceptance
of that doctrine, and now the Descent of Man and the Ascent of Man
are equivalent terms for a natural process which has converted man
from a thing to a person, and is the foundation of all modern thought.
The biologist works secure in the knowledge that he is studying some
portion of a chain of life stretching back for incalculable ages, and
is not careful to produce those missing links demanded by the once
formidable foes of his fundamental principle. Haeckel may announce that
Pithecanthropus Erectus of Dubois is truly a Pliocene remainder of that
famous group of highest Catarrhines which were the immediate pithecoid
ancestors of man. This may or may not be true, but if true it makes
the descent of man from a lower stock none the surer, the increasing
verification of which is not found to rest on missing links.
Many of the discoveries of modern science are made by proceeding from
known phenomena to the unknown, or, more precisely, from the well-known
through the little-known to the hitherto unknown.
As to the validity of knowledge it is enough to say this--and pass
on--_all our knowledge is provisional and imperfect, and much of our
ignorance is as transient as ourselves_.
Public-domain text, read in full here on John Shaqi.
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