very superior mental quality. He was fond of theology, when he could get at it, and of settling everything over again on a new basis. These were the two gentlemen who happened to meet in the drawing-room at The Elms, on one of these chilly afternoons, at the fire-light hour. This fashion of sitting without lights was one which both of them rather objected to, though they dared not express their sentiments freely, as on a former occasion Frederick Eastwood had not hesitated to do. On a little table which stood before the fire was the tea-tray, with its sparkling china and little quaint old silver tea-pot, which glittered, too, in the ruddy light. This was the highest light in the darkling scene. Major Railton was seated quite in the shadow, near Mrs. Eastwood, to whom he had been discoursing, in his capacity as out-door adviser, about the state of the coachhouse. Young Molyneux was moving about the centre of the room, in the way some men have, talking to Nelly, and looking at any chance book or curious thing that might fall in his way. They had been hearing the story of the new cousin with polite interest, varying according to the nature of the men, and the intimacy and interest in the house which their respective positions enabled them to show. “The stables are the worst,” said the Major. “In one corner the rain is positively coming in; not to speak of the uninhabitable nature of the place, if you should want to use it, the property is positively deteriorated. It really must not be allowed to fall out of repair.” “There is no chance of my wanting to use it, Major; but, of course, if, as you say, the property is injured----. I am sure,” said Mrs. Eastwood, “it is a great nuisance to be your own landlord; other people, I find, have all these things done for them.” “But other people pay rent, and may be turned out at a year’s notice,” said the Major. “Oh, indeed, nobody is so foolish as to turn out a good tenant. Indeed, it is a very equivocal advantage to live in your own house. Constant taxes, constant repairs, and though everybody knows I have put down my carriage, obliged to spend money on my stables! That,” said Mrs. Eastwood emphatically, “is what I call an irony of fate.” “It is bad, it must be allowed,” said Molyneux bursting in; his ear had been caught by the last words, which she pronounced more loudly than usual, with a true sense of the injury done her. “It is like a story I heard the other day of an unfortunate Austrian whose chateau was destroyed in the war. Just about the time the last fire smouldered out, he got his bill from the great furniture man at Vienna for the redecoration. It had just been finished before the Prussian guns went at it. There’s irony for you! I don’t suppose your friend Bismarck, Railton, will be so civil as to pay the bill.”