The quick little motor-brougham seemed unusually slow-going that
afternoon. Innocent, with her full happy heart and young pulsing blood,
grew impatient with its tardy progress, yet, as a matter of fact, it
travelled along at its most rapid speed. The well-known by-street near
Holland Park was reached at last, and while the brougham went off to an
accustomed retired corner chosen by the chauffeur to await her
pleasure, she pushed open the gate of the small garden leading to the
back entrance of Jocelyn's studio--a garden now looking rather damp and
dreary, strewn as it was with wet masses of fallen leaves. It was
beginning to rain--and she ran swiftly along the path to the familiar
door which she opened with her private key. Jocelyn was working at his
easel--he heard the turn of the lock and looked round. She entered,
smiling--but he did not at once go and meet her. He was finishing off
some special touch of colour over which he bent with assiduous
care,--and she was far too unselfishly interested in his work to
disturb him at what seemed to be an anxious moment. So she waited.
Presently he spoke, with a certain irritability in his tone.
"Are you there? I wish you would come forward where I can see you!"
She laughed--a pretty rippling laugh of kindly amusement.
"Amadis! If you are a true Knight, it is you who should turn round and
look at me for yourself!"
"But I am busy," he said, with the same sharpness of voice--"Surely you
see that?"
She made no answer, but moved quietly to a position where she stood
facing him at about an arm's length. Never had she made a prettier
picture than in that attitude of charming hesitation, with a tender
little smile on her pretty mouth and a wistful light in her eyes. He
laid down his palette and brushes.
"I must give up work for to-day," he said--and going to her he took her
in his arms--"You are too great an attraction for me to resist!" He
kissed her lightly, as he would have kissed a child. "You are very
fascinating this afternoon! Are you bent on some new conquest?"
She gave him a sweet look.
"Why will you talk nonsense, my Amadis!" she said--"You know I never
wish for 'conquests' as you call them,--I only want you! Nothing but
you!"
With his arm about her he drew her to a corner of the studio, half
curtained, where there was a double settee or couch, comfortably
cushioned, and here he sat down still holding her in his embrace.
"You only want me!--Nothing but me!" he repeated, softly--"Dear little
Innocent!--Ah!--But I fear I am just what you cannot have!"
She smiled, not understanding.
"What do you mean?" she asked--"You always play with me! Are you not
all mine as I am all yours?"
He was silent. Then he slowly withdrew his arm from her waist.
"Now, child," he said--"listen to me and be good and sensible! You know
this cannot go on."
She lifted her eyes trustfully to his face.
"What cannot go on?" she queried, as softly as though the question were
a caress.
He moved restlessly.
Public-domain text, read in full here on John Shaqi.
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