Nor is democracy hostile to original genius, or slow to recognize it. The people as a whole may throw careless and liberal rewards to the jesters and to the sycophants who are seeking its favor, as their forerunners sought to gain the ear of the monarch of old, but the authors of substantial popularity are never those who abase themselves or who scheme to cajole. At the beginning of the twentieth century there were only two writers whose new books appeared simultaneously in half a dozen different tongues; and what man has ever been so foolish as to call Ibsen and Tolstoi flatterers of humanity? The sturdy independence of these masters, their sincerity, their obstinate reiteration each of his own message,--these are main reasons for the esteem in which they are held. And in our own language, the two writers of widest renown are Mark Twain and Rudyard Kipling, known wherever English is spoken, in every remote corner of the seven seas, one an American of the Americans and the other the spokesman of the British Empire. They are not only conscientious craftsmen, each in his own way, but moralists also and even preachers; and they go forward in the path they have marked out, each for himself, with no swervings aside to curry favor or to avoid unpopularity. The fear has been exprest freely that the position of literature is made more precarious by the recent immense increase in the reading public, deficient in standards of taste and anxious to be amused. It is in the hope of hitting the fancy of this motley body that there is now a tumultuous multiplication of books of every degree of merit; and amid all this din there must be redoubled difficulty of choice. Yet the selection gets itself made somehow, and not unsatisfactorily. Unworthy books may have vogue for a while, and even adulation; but their fame is fleeting. The books which the last generation transmitted to us were, after all, the books best worth our consideration; and we may be confident that the books we shall pass along to the next generation will be as wisely selected. Out of the wasteful overproduction only those works emerge which have in them something that the world will not willingly let die.