The ovipositor, or auger (_tarière_), as Réaumur calls it, is lodged in a sheath which lies in a groove of the terminating ring of the belly. It requires only a very slight pressure to cause the instrument to protrude from its sheath, when it appears to the naked eye to be of equal thickness throughout, except at the point, where it is somewhat enlarged and angular, and on both sides finely indented with teeth. A more minute examination of the sheath demonstrates that it is composed of two horny pieces slightly curved, and ending in the form of an elongated spoon, the concave part of which is adapted to receive the convex end of the ovipositor. When the protruded instrument is further examined with a microscope, the denticulations, nine in number on each side, appear strong, and arranged with great symmetry, increasing in fineness towards the point, where there are three or four very small ones, beside the nine that are more obvious. The magnifier also shows that the instrument itself, which appeared simple to the naked eye, is, in fact, composed of three different pieces; two exterior armed with the teeth before mentioned, denominated by Réaumur files (_limes_), and another pointed like a lancet, and not denticulated. The denticulated pieces, moreover, are capable of being moved forwards and backwards, while the centre one remains stationary; and as this motion is effected by pressing a pin or the blade of a knife over the muscles on either side at the origin of the ovipositor, it may be presumed that those muscles are destined for producing similar movements when the insect requires them. By means of a finely-pointed pin carefully introduced between the pieces, and pushed very gently downwards, they may be, with no great difficulty, separated in their whole extent. The contrivance by which those three pieces are held united, while at the same time the two files can be easily put in motion, is similar to those of our own mechanical inventions, with this difference, that no human workman could construct an instrument of this description so small, fine, exquisitely polished, and fitting so exactly. We should have been apt to form the grooves in the central piece, whereas they are scooped out in the handles of the files, and play upon two projecting ridges in the central piece, by which means this is rendered stronger. M. Réaumur discovered that the best manner of showing the play of this extraordinary instrument is to cut it off with a pair of scissors near its origin, and then, taking it between the thumb and the finger at the point of section, work it gently to put the files in motion. Beside the muscles necessary for the movement of the files, the handle of each is terminated by a curve of the same hard horny substance as itself, which not only furnishes the muscles with a sort of lever, but serves to press, as with a spring, the two files close to the central piece, as is shown in the lower figure.