[Frontispiece: "You must accept my word."]
INSIDE THE LINES
_By_
EARL DERR BIGGERS
AND
ROBERT WELLES RITCHIE
_Founded on Earl Derr Biggers'
Play of the Same Name_
INDIANAPOLIS
THE BOBBS-MERRILL COMPANY
PUBLISHERS
COPYRIGHT 1915
THE BOBBS-MERRILL COMPANY
PRESS OF
BRAUNWORTH & CO.
BOOKBINDERS AND PRINTERS
BROOKLYN. N. Y.
CONTENTS
CHAPTER
I Jane Gerson, Buyer
II From the Wilhelmstrasse
III Billy Capper at Play
IV 32 Queen's Terrace
V A Ferret
VI A Fugitive
VII The Hotel Splendide
VIII Chaff of War
IX Room D
X A Visit to a Lady
XI A Spy in the Signal Tower
XII Her Country's Example
XIII Enter, a Cigarette
XIV The Captain Comes to Tea
XV The Third Degree
XVI The Pendulum of Fate
XVII Three-Thirty A. M.
XVIII The Trap Is Sprung
XIX At the Quay
INSIDE THE LINES
CHAPTER I
JANE GERSON, BUYER
"I had two trunks--two, you ninny! Two! _Ou est l'autre?_"
The grinning customs guard lifted his shoulders to his ears and spread
out his palms. "_Mais, mamselle----_"
"Don't you '_mais_' me, sir! I had two trunks--_deux troncs_--when I
got aboard that wabbly old boat at Dover this morning, and I'm not
going to budge from this wharf until I find the other one. Where _did_
you learn your French, anyway? Can't you understand when I speak your
language?"
The girl plumped herself down on top of the unhasped trunk and folded
her arms truculently. With a quizzical smile, the customs guard looked
down into her brown eyes, smoldering dangerously now, and began all
over again his speech of explanation.
"_Wagon-lit?_" She caught a familiar word. "_Mais oui_; that's where
I want to go--aboard your wagon-lit, for Paris. _Voilà!_"--the girl
carefully gave the word three syllables--"_mon ticket pour Paree!_"
She opened her patent-leather reticule, rummaged furiously therein,
brought out a handkerchief, a tiny mirror, a packet of rice papers, and
at last a folded and punched ticket. This she displayed with a
triumphant flourish.
"_Voilà! Il dit_ 'Miss Jane Gerson'; that's me--_moi-meme_, I mean.
And _il dit 'deux troncs'_; now you can't go behind that, can you?
Where is that other trunk?"
A whistle shrilled back beyond the swinging doors of the station. Folk
in the customs shed began a hasty gathering together of parcels and
shawl straps, and a general exodus toward the train sheds commenced.
The girl on the trunk looked appealingly about her; nothing but bustle
and confusion; no Samaritan to turn aside and rescue a fair traveler
fallen among customs guards. Her eyes filled with trouble, and for an
instant her reliant mouth broke its line of determination; the lower
lip quivered suspiciously. Even the guard started to walk away.
Public-domain text, read in full here on John Shaqi.
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