International Miscellany of Literature, Art and Science, Vol. 1,: No. 3, Oct. 1, 1850Various
Science
International Miscellany of Literature, Art and Science, Vol. 1,: No. 3, Oct. 1, 1850
Various
Art -- Periodicals; Literature -- Periodicals; Science -- Periodicals
"Gentlemen, whatever be our sorrow in the presence of such a loss, let us
resign ourselves to these catastrophes. Let us accept them in their
poignancy and severity. It is good perhaps, and necessary, in an epoch
like ours, that from time to time a great death should communicate a
religious book to minds devoured by doubt and skepticism. Providence
knows what it does when it thus puts a whole people face to face with the
supreme mystery, and gives it Death to meditate upon, which is at once
the great equality and the great liberty.
"Providence knows what it does, for here is the highest of instructions.
There can be in all hearts only austere and serious thoughts when a
sublime spirit majestically makes its entrance upon the other life; when
one of those beings whom the visible wings of genius have long sustained
above the crowd, suddenly puts forth those other wings that we cannot
see, and disappears in the unknown!
"No, it is not the unknown! No, I have already said it on another mournful
occasion, and I shall not weary in repeating it, it is not darkness, it
is light! It is not the end, it is the beginning! It is not nothing, it
is eternity! Is not this true, I ask all that hear me? Such graves as
this are proofs of immortality. In the presence of the illustrious dead
we feel more distinctly the divine destinies of this intelligence called
man, which traverses the earth to suffer and to be purified; and we know
that those who have shone with genius during life, must be living souls
after death."
* * * * *
DR. GUTZLAFF, THE MISSIONARY.
CHARLES GUTZLAFF the famous missionary in China is described in the
_Grenzboten_ by a writer who lately heard him preach at Vienna, as a
short, stout man, with a deep red face, a large mouth, sleepy eyes,
pointed inward and downward like those of a China man, vehement
gesticulations, and a voice more loud than melodious. He has acquired
in his features and expression something like the expression of the
people among whom he lives. His whole manners also, as well as his
face, indicate the genuine son of Jao and Chun, so that the Chinese when
they encounter him in the street salute him as their countryman. We
translate for _The International_ the following sketch of his life and
labors:
Public-domain text, read in full here on John Shaqi.
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