International Weekly Miscellany of Literature, Art and Science - Volume 1, No. 5, July 29, 1850Various
Science
International Weekly Miscellany of Literature, Art and Science - Volume 1, No. 5, July 29, 1850
Various
Art -- Periodicals; Literature -- Periodicals; Science -- Periodicals
RESIDENCE AT CHELSEA.--REMOTENESS IN NEARNESS.--From the noise and
dust of the New Road, my family removed to a corner in Chelsea where
the air of the neighboring river was so refreshing, and the quiet of
the "no-thoroughfare" so full of repose, that, although our fortunes
were at their worst, and my health almost of a piece with them, I
felt for some weeks as if I could sit still for ever, embalmed in
the silence. I got to like the very cries in the street for making
me the more aware of it for the contrast. I fancied they were unlike
the cries in other quarters of the suburbs, and that they retained
something of the old quaintness and melodiousness which procured them
the reputation of having been composed by Purcell and others. Nor
is this unlikely, when it is considered how fond those masters were
of sporting with their art, and setting the most trivial words to
music in their glees and catches. The primitive cries of cowslips,
primroses, and hot cross buns, seemed never to have quitted this
sequestered region. They were like daisies in a bit of surviving
field. There was an old seller of fish in particular, whose cry of
"Shrimps as large as prawns," was such a regular, long-drawn, and
truly pleasing melody, that in spite of his hoarse, and I am afraid,
drunken voice, I used to wish for it of an evening, and hail it
when it came. It lasted for some years, then faded, and went out;
I suppose, with the poor old weather-beaten fellow's existence.
This sense of quiet and repose may have been increased by an early
association of Chelsea with something out of the pale; nay, remote.
It may seem strange to hear a man who has crossed the Alps talk of
one suburb as being remote from another. But the sense of distance is
not in space only; it is in difference and discontinuance. A little
back-room in a street in London is further removed from the noise,
than a front room in a country town. In childhood, the farthest local
point which I reached anywhere, provided it was quiet, always seemed
to me a sort of end of the world; and I remembered particularly
feeling this, the only time when I had previously visited Chelsea,
which was at that period of life.... I know not whether the corner I
speak of remains as quiet as it was. I am afraid not; for steamboats
have carried vicissitude into Chelsea, and Belgravia threatens it with
her mighty advent. But to complete my sense of repose and distance,
the house was of that old-fashioned sort which I have always loved
best, familiar to the eyes of my parents, and associated with
childhood. It had seats in the windows, a small third room on the
first floor, of which I made a _sanctum_, into which no perturbation
was to enter, except to calm itself with religious and cheerful
thoughts (a room thus appropriated in a house appears to me an
excellent thing;) and there were a few lime-trees in front, which in
their due season diffused a fragrance.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account