EMILE GIRARDIN states in his journal that he paid for the eleven volumes of Chateaubriand's Posthumous Memoirs as they appeared, piecemeal, in his _feuilleton_, the sum of ninety-seven thousand one hundred and eight francs. They occupied a hundred and ninety-two _feuilletons_, and cost him thus more than a franc a line. Alfred de Broglie has made these memoirs the test of a paper entitled "Memoirs de Chateaubriand, a Moral and Political Study," in the _Revue des Deux Mondes_. It is a severe analysis of the book and the man. He concludes that Chateaubriand was one of the most vainglorious, selfish and malignant of his tribe. He, indeed, betrayed himself broadly, but surviving writers, who knew intimately his private life--such as St. Beuve--have disclosed more of his habitual libertinism. The Radical journals, and some of the Legitimists, turn to account the portraits left in these memoirs of Louis Philippe, Thiers, Guizot, and other statesmen of the Orleans monarchy. They are effusions of personal and political spite. Chateaubriand hated the whole Orleans dynasty, and has not spared the elder Bourbons. * * * * * GUIZOT has been for thirty years in political life, many of them a minister, and was long at the head of the government of Louis Philippe, but is now a poor man. Recently, on the marriage of his two daughters with two brothers De Witt, the descendants of the great Hollander, he was unable to give them a cent in the way of marriage portions. This fact proves the personal integrity of the man more than a score of arguments. Not only has the native honesty of his character forbidden him to take advantage of his eminent position to gain a fortune, but the indomitable pride which is his leading characteristic, has never stooped to the attractions of public plunder or the fruits of official speculation. Guizot is not up to the times, and hence his downfall, but future historians will do justice alike to his great talents and the uprightness of his intentions. * * * * * One of the best works yet produced on the History of Art, is by Schnaase, of Düsseldorf. The first three volumes have been published and translated into French and English, and have met with great success in both those languages. The fourth volume is just announced in Germany. Artists and other competent persons at Düsseldorf who have seen the proof-sheets, speak in the highest terms not only of its historical merits, but of the excellence of its criticisms. * * * * *