Immediately after the submission of Poland in 1831, the theaters, permanent and itinerant, were closed. The plan was conceived of not allowing them to be reöpened until they could be occupied by Russian performers. But as the Government recovered from its first rage, this was found to be impracticable. The officers of the garrisons in Poland, however numerous, could never support Russian theaters, and besides, where were the performers to come from? In Warsaw, however, it was determined to force a theater into existence, and a Russian newspaper was already established there. The power of the Muscovites has done great things, built vast fortresses and destroyed vaster, but it could not accomplish a Russian theater at Warsaw. Even the paper died before it had attained a regular life, although it cost a great deal of money. Finally came the permission to reöpen the Polish theater, and indeed the caprice which was before violent against it, was now exceedingly favorable, but of course not without collateral purposes. The scanty theater on the Krasinski place, which was alone in Warsaw, except the remote circus and the little theater of King Stanislaus Augustus, was given up, and the sum of four millions of florins ($1,600,000) devoted to the erection of two large and magnificent theaters. The superintendence of the work of building and the management of the performances was, according to the Russian system, intrusted to one General Rautenstrauch, a man seventy years old, and worn out both in mind and body. The two theaters were erected under one roof, and arranged on the grandest and most splendid scale. The edifice is opposite the City Hall, occupies a whole side of the main public place, and is above 750 feet in length. The pit in each is supported by a series of immense, stupid, square pilasters, such as architecture has seldom witnessed out of Russia. Over these pilasters stands the first row of boxes supported by beautifully wrought Corinthian columns, and above these rise three additional rows. The edifice is about 160 feet high and is the most colossal building in Warsaw. As it was designed to treat the actors in military fashion and according to Russian style, the building was laid out like barracks and about seven hundred persons live in it, most of them employed about the theater. The two stages were built by a German architect under the inspection of the General whose peremptory suggestions were frequent and injurious. Both the great theater as it is called, which has four rows of boxes, and can contain six thousand auditors, and the Varieté theater which is very much smaller, are fitted out with all sorts of apparatus that ever belonged to a stage. In fact, new machinery has in many cases been invented for them and proved totally useless. The Russian often hits upon queer notions when he tries to show his gifts.