INTERNATIONAL WEEKLY MISCELLANY Of Literature, Art, and Science. * * * * * Vol. I. NEW YORK, AUGUST 26, 1850. No. 9. * * * * * NUMISMATIC ARCHÆOLOGY. A magnificent work[1] upon this subject has just been completed in Paris, where it was commenced fifteen years ago. It was begun under the auspices of M. Paul Delaroche and M.C. Lenormand, member of the Institute, and well known already as one of the first authorities in the numismatic branch of archæology. Some faint idea of the greatness of the task may be given by stating that it embraces the whole range of art, from the regal coins of Syracuse and of the Ptolemies, down to those of our day; that such a stupendous scheme should ever have been carried into execution is not solely due to the admirable ease and fidelity, with which the "Collas machine" renders the smallest and the largest gems of the antique: but to him who first felt, appreciated, and afterward promoted its capabilities in this labor of love, M.A. Lachevardiere. Comparisons and contrasts, which are the life of art, though generally confined to the mental vision, are not the least of the recommendations of this vast work. For the first time have the minor treasures of each country been brought together, and not the least conspicuous portion are those from the British Museum and the Bank of England. [Footnote 1: Trésor de Numismatique et de Glyptique; ou, Recueil Général de Médailles, Monnaies, Pierres Gravées, Sceaux, Bas-reliefs, Ornements, &c. Paris, 1850.] Whether we consider the selection of these monumental relics, the explanatory letterpress, or the engravings which reproduce them, we are struck by the admirable taste, science, and fidelity with which the largest as well as the smallest gems have each and every one been made to tally in size with the originals. The collection of the "Trésor de Numismatique et Glyptique," consisting of twenty volumes in folio, and containing a thousand engraved plates in folio, reproduces upward of 15,000 specimens, and is divided into three classes--1st. The coins, medals, cameos, &c. of antiquity; 2d. Those of the middle ages; lastly, those of modern times. The details of this immense mass of artistic wealth would be endless; but these three classes seem to be arranged according to the latest classification of numismatists.