International Weekly Miscellany of Literature, Art and Science - Volume 1, No. 9, August 26, 1850Various
Science
International Weekly Miscellany of Literature, Art and Science - Volume 1, No. 9, August 26, 1850
Various
Art -- Periodicals; Literature -- Periodicals; Science -- Periodicals
Lessing's new picture.--A letter from Düsseldorf under date of
9th July, in the _Courier and Enquirer_, says that Lessing's great
painting, "The Martyrdom of Huss," Sad just been finished and had been
exhibited for the last few days at the Academy of Fine Arts, where
it was visited by thousands. When it became known that orders for its
immediate shipment had arrived from New York, the desire to obtain a
last view of this truly great work became so intense that it was found
necessary to put the Police in requisition to keep back the throng,
and the gates of the Academy had to be closed. It causes general
regret that it is to be sent out of the country. The _Cologne Gazette_
calls this picture the most sublime production of the great artist,
and expresses the conviction that a speedy fortune might be realized
by its exhibition in Europe.
* * * * *
Mr. George Flagg has just completed a portrait of Mrs. E. Oakes Smith,
which will be ranked among the first productions of his pencil. We
know of scarce a picture as beautiful or a portrait as truthful. It is
to be engraved, we believe, by Cheney.
* * * * *
Mlle. Rachel.--The wonderful accuracy of the death-scene in "Adrienne
Lecouvreur" has been the object of universal praise in London, not
merely from the thrilled and thralled public, but from men of art
and science. A physician, it is said, was complimenting Mademoiselle
on her amazing truth to the symptoms of mortal agony: "You must have
studied death closely," said he. "Yes, I have," was the quiet reply;
"my maid's. I went up to her--I stayed with her--she recommended her
mother to me!--I was studying my part." This is probably merely one
of those cynical stories with which the sharp people of Paris love
to environ and encircle every one who stands a dangerous chance of
becoming too popular. But smaller artists than Mademoiselle Rachel
have sometimes had recourse to curious expedients to give their
dramatic personations a show at reality. The French _prima donna_, who
not very long ago appeared in M. Clapisson's poor opera, "Jeanne la
Folle," is said to have shut herself up in the _Salpêtrière_, by way
of studying _her_ part, and to have been rewarded for her zealous
curiosity by receiving a basin of scalding soup dashed in her face by
one of the poor miserable objects of her examination.
* * * * *
Public-domain text, read in full here on John Shaqi.
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