Interpretations of Poetry and ReligionSantayana, George
Religion
Interpretations of Poetry and Religion
Santayana, George
Aesthetics; Literature -- History and criticism; Poetry; Religion
Such thought is essentially the same that is found in the German
romantic or idealistic philosophers, with whom Emerson's affinity
is remarkable, all the more as he seems to have borrowed little
or nothing from their works. The critics of human nature, in the
eighteenth century, had shown how much men's ideas depend on their
predispositions, on the character of their senses and the habits of
their intelligence. Seizing upon this thought and exaggerating it, the
romantic philosophers attributed to the spirit of man the omnipotence
which had belonged to God, and felt that in this way they were
reasserting the supremacy of mind over matter and establishing it upon
a safe and rational basis.
The Germans were great system-makers, and Emerson cannot rival them in
the sustained effort of thought by which they sought to reinterpret
every sphere of being according to their chosen principles. But he
surpassed them in an instinctive sense of what he was doing. He never
represented his poetry as science, nor countenanced the formation of
a new sect that should nurse the sense of a private and mysterious
illumination, and relight the fagots of passion and prejudice. He
never tried to seek out and defend the universal implications of his
ideas, and never wrote the book he had once planned on the law of
compensation, foreseeing, we may well believe, the sophistries in which
he would have been directly involved. He fortunately preferred a fresh
statement on a fresh subject. A suggestion once given, the spirit once
aroused to speculation, a glimpse once gained of some ideal harmony,
he chose to descend again to common sense and to touch the earth for a
moment before another flight. The faculty of idealization was itself
what he valued. Philosophy for him was rather a moral energy flowering
into sprightliness of thought than a body of serious and defensible
doctrines. In practising transcendental speculation only in this poetic
and sporadic fashion, Emerson retained its true value and avoided its
greatest danger. He secured the freedom and fertility of his thought
and did not allow one conception of law or one hint of harmony to
sterilize the mind and prevent the subsequent birth within it of other
ideas, no less just and imposing than their predecessors. For we are
not dealing at all in such a philosophy with matters of fact or with
such verifiable truths as exclude their opposites. We are dealing only
with imagination, with the art of conception, and with the various
forms in which reflection, like a poet, may compose and recompose human
experience.
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