Interpretations of Poetry and ReligionSantayana, George
Religion
Interpretations of Poetry and Religion
Santayana, George
Aesthetics; Literature -- History and criticism; Poetry; Religion
A certain disquiet mingled, however, in the minds of Emerson's
contemporaries with the admiration they felt for his purity and
genius. They saw that he had forsaken the doctrines of the Church; and
they were not sure whether he held quite unequivocally any doctrine
whatever. We may not all of us share the concern for orthodoxy which
usually caused this puzzled alarm: we may understand that it was not
Emerson's vocation to be definite and dogmatic in religion any more
than in philosophy. Yet that disquiet will not, even for us, wholly
disappear. It is produced by a defect which naturally accompanies
imagination in all but the greatest minds. I mean disorganization.
Emerson not only conceived things in new ways, but he seemed to think
the new ways might cancel and supersede the old. His imagination was
to invalidate the understanding. That inspiration which should come
to fulfil seemed too often to come to destroy. If he was able so
constantly to stimulate us to fresh thoughts, was it not because he
demolished the labour of long ages of reflection? Was not the startling
effect of much of his writing due to its contradiction to tradition and
to common sense?
So long as he is a poet and in the enjoyment of his poetic license, we
can blame this play of mind only by a misunderstanding. It is possible
to think otherwise than as common sense thinks; there are other
categories beside those of science. When we employ them we enlarge
our lives. We add to the world of fact any number of worlds of the
imagination in which human nature and the eternal relations of ideas
may be nobly expressed. So far our imaginative fertility is only a
benefit: it surrounds us with the congenial and necessary radiation
of art and religion. It manifests our moral vitality in the bosom of
Nature.
But sometimes imagination invades the sphere of understanding and seems
to discredit its indispensable work. Common sense, we are allowed to
infer, is a shallow affair: true insight changes all that. When so
applied, poetic activity is not an unmixed good. It loosens our hold on
fact and confuses our intelligence, so that we forget that intelligence
has itself every prerogative of imagination, and has besides the
sanction of practical validity. We are made to believe that since the
understanding is something human and conditioned, something which might
have been different, as the senses might have been different, and
which we may yet, so to speak, get behind--therefore the understanding
ought to be abandoned. We long for higher faculties, neglecting those
we have, we yearn for intuition, closing our eyes upon experience. We
become mystical.
Public-domain text, read in full here on John Shaqi.
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