Interpretations of Poetry and ReligionSantayana, George
Religion
Interpretations of Poetry and Religion
Santayana, George
Aesthetics; Literature -- History and criticism; Poetry; Religion
For the Oriental, who believed in transmigration, the individual
dissolved into an infinity of phases; he went on actually and
perpetually, as Nature does; his immortality was a long Purgatory
behind which a shadowy Hell and Heaven scarcely appeared in the form
of annihilation or absorption. This happened because the Oriental mind
has no middle; it oscillates between extremes and passes directly from
sense to mysticism, and back again; it lacks virile understanding and
intelligence creative of form. But Christianity, following in this
the Socratic philosophy, rose to the conception of eternal essences,
forms suspended above the flux of natural things and expressing the
ideal suggestions and rational goals of experience. Each man, for
Christianity, has an immortal soul; each life has the potentiality of
an eternal meaning, and as this potentiality is or is not actualized,
as this meaning is or is not expressed in the phenomena of this
life, the soul is eternally saved or lost. As the tree falleth, so
it lieth. The finality of this brief and personal experiment, the
consequent awful solemnity of the hour of death when all trial is over
and when the eternal sentence is passed, has always been duly felt
by the Christian. The Church, indeed, in answer to the demand for a
more refined and discriminating presentation of its dogma, introduced
the temporary discipline of Purgatory, in which the virtues already
stamped on the soul might be brought to greater clearness and rid of
the alloy of imperfection; but this purification allowed no essential
development, no change of character or fate; the soul in Purgatory was
already saved, already holy.
Public-domain text, read in full here on John Shaqi.
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