Introducing Irony: A Book of Poetic Short Stories and PoemsBodenheim, Maxwell
General
Introducing Irony: A Book of Poetic Short Stories and Poems
Bodenheim, Maxwell
American fiction -- 20th century; American poetry -- 20th century; Short stories, American
Because they dread the affirmation
Of ashes undiscovered in wind,
I am walking through this cemetery.
The old grave-diggers will soon
Astonish the earth below this oak.
From their faces adjectives have fled,
Leaving the essential noun:
Leaving also the unwilling frown
With which they parley with the earth ...
Death, I must tell you of these things
Since you are unaware that they exist.
You send an efficient servant
To the almost unseen fluctuations
Of tomb-stones, skulls, and lilies,
Reserving your eyes for larger games.
SIMPLE ACCOUNT OF A POET’S LIFE
In 1892
When literature and art in America
Presented a mildewed but decorous mien,
He was born.
During the first months of his life
His senses had not yet learned to endure
The majestic babble of old sterilities.
The vacuum of his brain
Felt a noisy thinness outside,
Which it could not hear or see,
And gave it the heavier substance
Of yells that were really creation
Fighting its way to form.
(When babies shriek they seek
Power in thought and action.
Life objects to their intent
And forces their voices to repent.)
At the age of four he lived inwardly,
With enormous shapeless emotions
Taking his limbs, like waves.
His mind was vapour censured
By an occasional protest
That mumbled and could not be heard.
People to him were headless figures--
Bodies surmounted by voices
That tickled like feathers, or struck like rocks.
Missiles thrown from moving mountain-tops
And leaving only resentment at their touch.
At ten the voices receded
To invisible meanings
That toyed with flesh-protected secrets of faces.
The voices made promises
Which the faces continually evaded,
And often the voices in vengeance
Changed a lip or an eye-brow
To repeat their neglected demands.
When swung to him the voices
Were insolent enigmas,
Tripping him as he stood
Midway between fright and indifference.
He sometimes tittered tranquilly
At the obvious absurdity of this.
His rages were false and sprang
From aloof thoughts chanting over their chains.
The immediate cause of each rage
Merely opened a door
Upon this changeless inner condition.
That species of intoxicated thought
Which men describe as emotion
Used its merriment to blind his eye-sight.
But anger, whose real roots are in the mind,
Tendered him times of hot perception.
He noticed that children held flexible flesh
That wisely sought a variety of patterns--
Flesh intent upon correcting
Its closeted effect--
While older people enticed their flesh
Into erect and formal lies
Repeated until their patience died
And they tried an unpracticed rebellion.
This was a formless revelation,
Unattended by words
But throwing its indistinct contrast
Over his broad one-colored thought.
At sixteen he employed words
To flay the contrast into shapes.
At seventeen he decided
To emulate the gay wisdom of children’s flesh.
Public-domain text, read in full here on John Shaqi.
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