Introducing Irony: A Book of Poetic Short Stories and PoemsBodenheim, Maxwell
General
Introducing Irony: A Book of Poetic Short Stories and Poems
Bodenheim, Maxwell
American fiction -- 20th century; American poetry -- 20th century; Short stories, American
Alvin Tor sat in his floating row-boat and read the Bible. Green waves
died upon each other, like a cohesive fantasy. Each small wave rose as
high as the other and ended in a swan’s neck of white interrogation.
Sunlight blinded the water as style dazes the contents of a poem and
the blue sky lifted itself to symmetrical stupor. The air fell against
one like a soothing religion. The bristling melancholia of pine trees
lined the wide river. But Alvin Tor sat in his floating row-boat,
reading the Bible. He read the Songs of Solomon, and a sensual
pantomime made a taut stage of his face. When not reading the Songs
of Solomon he was as staidly poised as a monk’s folded arms. He had
borrowed the colours of his life from that spectrum of desire which he
called God. Different shades of green leaves were, to him, the playful
jealousies of a presence; the tossed colours of birds became the
ineffably light gestures of a lost poet.
His Swedish peasant’s face had singed its dimples in a bit of
sophistication but his eyes were undeceived. His heart was a secluded
soliloquy transforming the shouts of the world into tinkling surmises.
His broad nose and long lips were always at ease and his ruddy skin
held the texture of fresh bunting. His eyes knew the unkindled
reticence of a rustic boy.
This man of one mood sat in his floating row-boat, reading the Bible.
He reached the mouth of the river and drifted out to sea. The sea was
a menacing lethargy of rhythm: green swells sensed his row-boat with
dramatic leisure. A sea gull skimmed over the water, like a haphazard
adventure. Looking up from his Bible Alvin Tor saw the body of a
woman floating beside his boat. With one jerk his face swerved into
blankness. The tip of his tongue met his upper lip as though it were
a fading rim of reality. The fingers of one hand distressed his flaxen
hair.
The woman floated on her back with infinite abandon. Little ripples of
green water died fondling her body. The green swells barely lifting her
were great rhythms disturbed by an inert discord. Sunlight, fumbling at
her body, relinquished its promiscuous desires and became abashed. _Her
wet brown hair had a drugged gentility: its short dark curls hugged
her head with despondent understanding. Her face had been washed to
an imperturbable transparency: it had the whiteness of reclining foam
overcast with a twinge of green--the sea had lent her its skin._ Her
eyes were limply unworried and violated to gray disintegration. In
separated bits of outlines the remains of thinly impudent features were
slipping from her face. The bloated pity of black and white garments
hid her lean body.
Public-domain text, read in full here on John Shaqi.
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