Introducing the American SpiritSteiner, Edward Alfred
General
Introducing the American Spirit
Steiner, Edward Alfred
National characteristics, American; United States -- Social life and customs -- 1865-1918
They climb the steps of the elevated railway trains, and crowd them, and
cram the cars until they fairly bulge.
They lay siege to the surface cars, which merely crawl through the busy
streets, so heavy are they and so closely does one car follow the other.
They descend into the depths of the earth, and breathe the humid, human
air of those noisy catacombs. They walk by companies, regiments, and
great armies, dodging automobiles which infest the streets with their
speed and their stenches.
They accomplish it all with so little friction to each other's spirit,
with such a silent good nature, with such a sense of self-reliance, and
with so little official machinery to control them, that even the Herr
Director said:
"This is wonderful!" although he declared that he would suffocate in
that throng, and the Frau Directorin cried out every few minutes, "_Um
Gottes Himmels Willen!_"
There was an absence of politeness, but we saw little rudeness; there
were accidents, but the crowd did not lose its head; there were
discomforts, but little display of ill nature; each for himself, and yet
no clashing. The American crowd is more wonderful than the American
sky-scrapers.
At the Royal Opera in Vienna, the approach to the ticket office is
guarded by steel inclosures in which every prospective buyer is
separated from the other, and one has to zigzag between these pens until
he reaches the official's window. Crowding is rendered impossible, but,
to make the obviously impossible more actually impossible, there is the
usual number of uniformed guards.
Watch the American crowd--this group of unlike, self-centered
individuals; in a moment it is organized, it obeys itself--or rather, it
obeys its spirit, the American spirit of self-direction, with its
genius for organization.
To me, the American crowd is so wonderful because it shows this other
side of its spirit. It is heterogeneous, like the architecture of its
buildings, perhaps even more so--if that be possible.
Here are Jews from Russia's crowded Pale, where they had to slink along
with shuffling gait and dared go so far and no farther--so fast and no
faster.
There are the Slavic peasants, who on their native soil, prodded by the
goad, moved ox-like along an endless furrow, drawing the plow of
autocracy.
Next is the Italian, volatile and yet static with his age-long burdens,
with his fiery nature cramped into his diminutive frame.
Here is the Negro, the child-man, the shackles of whose slavery are
scarcely broken.
The Asiatic, too, comes with hardly courage enough to lift his softly
treading feet; while leading them all is this strident, giant child of
the Anglo-Saxon race whose wind-swept cradle was rocked by freedom, and
who with dominant will has spanned the oceans and crossed the mountains.
Public-domain text, read in full here on John Shaqi.
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