Produced by John Bickers and Dagny INTRODUCTION TO THE DRAMAS OF BALZAC BY EPIPHANIUS WILSON AND J. WALKER MCSPADDEN CONTENTS Balzac as a Dramatist By Epiphanius Wilson Introduction By J. Walker McSpadden BALZAC AS A DRAMATIST BY EPIPHANIUS WILSON Honore de Balzac is known to the world in general as a novel-writer, a producer of romances, in which begin the reign of realism in French fiction. His _Comedie Humaine_ is a description of French society, as it existed from the time of the Revolution to that of the Restoration. In this series of stories we find the author engaged in analyzing the manners, motives and external life of the French man and woman in all grades of society. When we open these volumes, we enter a gallery of striking and varied pictures, which glow with all the color, chiaroscuro and life-like detail of a Dutch panel. The power of Balzac is unique as a descriptive writer; his knowledge of the female heart is more profound, and covers a far wider range than anything exhibited by a provincial author, such as Richardson. But he has also the marvelous faculty of suggesting spiritual facts in the life and consciousness of his characters, by the picturesque touches with which he brings before us their external surroundings--the towns, streets and houses in which they dwell; the furniture, ornaments and arrangement of their rooms, and the clothes they wear. He depends upon these details for throwing into relief such a portrait as that of Pons or Madame Hulot. He himself was individualized by his knobbed cane abroad, and his Benedictine habit and statuette of Napoleon at home; but every single one of his creations seems to have in some shape or other a cane, a robe or a decorative attribute, which distinguishes each individual, as if by a badge, from every other member of the company in the Comedy of Life.