60. As the taste of a chivalrous aristocracy was naturally delighted with romances, that not only led the imagination through a series of adventures, but presented a mirror of sentiments to which they themselves pretended, so that of mankind in general found its gratification, sometimes in tales of home growth, or transplanted from the east, whether serious or amusing, such as the Gesta Romanorum, the Dolopathos, the Decameron (certainly the most celebrated and best written of these inventions), the Pecorone; sometimes in historical ballads, or in moral fables, a favourite style of composition, especially with the Teutonic nations; sometimes, again, in legends of saints, and the popular demonology of the age. The experience and sagacity, the moral sentiments, the invention and fancy of many obscure centuries may be discerned more fully and favourably in these various fictions than in their elaborate treatises. No one of the European nations stands so high in this respect as the German; their ancient tales have a raciness and truth which has been only imitated by others. Among the most renowned of these we must place the story of Reynard the Fox; the origin of which, long sought by literary critics, recedes, as they prolong the inquiry, into greater depths of antiquity. It was supposed to be written, or at least first published, in German rhyme, by Henry of Alkmaar, in 1498; but earlier editions, in the Flemish language, have since been discovered. It has been found written in French verse by Jaquemars Gielée, of Lille, near the end, and in French prose by Peter of St. Cloud, near the beginning, of the thirteenth century. Finally, the principal characters are mentioned in a Provençal song by Richard Cœur de Lion.[304] But though we thus bring the story to France, where it became so popular as to change the very name of the principal animal, which was always called goupil (vulpes) till the fourteenth century, when it assumed, from the hero of the tale, the name of Renard,[305] there seems every reason to believe that it is of German origin; and, according to probable conjecture, a certain Reinard of Lorraine, famous for his vulpine qualities in the ninth century, suggested the name to some unknown fabulist of the empire. [304] Recueil des anciens poètes, i. 21. M. Raynouard observes that the Troubadours, and, first of all, Richard Cœur de Lion, have quoted the story of Renard, sometimes with allusions not referrible to the present romance. Journal des Sav. 1826, p. 340. A great deal has been written about this story; but I shall only quote Bouterwek, ix. 347; Heinsius, iv. 104, and the Biographie Universelle; arts. Gielée. Alkmaar. [305] Something like this nearly happened in England: bears have had a narrow escape of being called only bruins, from their representative in the fable. |Exclusion of politics from literature.|