Introduction to the Literature of Europe in the Fifteenth, Sixteenth, and Seventeenth Centuries, Vol. 1Hallam, Henry
History
Introduction to the Literature of Europe in the Fifteenth, Sixteenth, and Seventeenth Centuries, Vol. 1
Hallam, Henry
Literature, Modern -- History and criticism
61. These moral fictions, as well as more serious productions, in what
may be called the ethical literature of the middle ages, towards which
Germany contributed a large share, speak freely of the vices of the
great. But they deal with them as men responsible to God, and subject to
natural law, rather than as members of a community. Of political
opinions, properly so called, which have in later times so powerfully
swayed the conduct of mankind, we find very little to say in the
fifteenth century. In so far as they were not merely founded on
temporary circumstances, or at most on the prejudices connected with
positive institutions in each country, the predominant associations that
influenced the judgment were derived from respect for birth, of which
opulence was as yet rather the sign than the substitute. This had long
been, and long continued to be, the characteristic prejudice of European
society. It was hardly ever higher than in the fifteenth century; when
heraldry, the language that speaks to the eye of pride, and the science
of those who despise every other, was cultivated with all its ingenious
pedantry; and every improvement in useful art, every creation in
inventive architecture, was made subservient to the grandeur of an
elevated class in society. The burghers, in those parts of Europe which
had become rich by commerce, emulated in their public distinctions, as
they did ultimately in their private families, the ensigns of patrician
nobility. This prevailing spirit of aristocracy was still but partially
modified by the spirit of popular freedom on one hand, or of respectful
loyalty on the other.
|Religious opinions.|
|Attacks on the church.|
62. It is far more important to observe the disposition of the public
mind in respect of religion, which not only claims to itself one great
branch of literature, but exerts a powerful influence over almost every
other. The greater part of literature in the middle ages, at least from
the twelfth century, may be considered as artillery levelled against the
clergy: I do not say against the church, which might imply a doctrinal
opposition by no means universal. But if there is one theme upon which
the most serious as well as the lightest, the most orthodox as the most
heretical writers are united, it is ecclesiastical corruption. Divided
among themselves, the secular clergy detested the regular; the regular
monks satirised the mendicant friars; who, in their turn, after exposing
both to the ill-will of the people, incurred a double portion of it
themselves. In this most important respect, therefore, the influence of
mediæval literature was powerful towards change. But it rather loosened
the associations of ancient prejudice, and prepared mankind for
revolutions of speculative opinion, than brought them forward.
|Three lines of religious opinion in fifteenth century.|
|Treatise de Imitatione Christi.|
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