Introduction to the Literature of Europe in the Fifteenth, Sixteenth, and Seventeenth Centuries, Vol. 2Hallam, Henry
History
Introduction to the Literature of Europe in the Fifteenth, Sixteenth, and Seventeenth Centuries, Vol. 2
Hallam, Henry
Literature, Modern -- History and criticism
“Sit, Jessica; look how the vault of heaven
Is thick inlayed with patins of bright gold.
There’s not the smallest orb, that thou behold’st,
But in its motion like an angel sings,
Still quiring to the young-eyed cherubim;
Such harmony is in immortal souls.
But while this muddy vesture of decay
Does grossly close us in, we cannot hear it.”[159]
[158] Animæ beatæ habitantes sic vivas lucidasque mansiones, res
naturales vident omnes divinasque ideas, habent quoque lumen
gloriosius quo elevantur ad visionem supernaturalem beatificam,
et veluti apud nos luces plurimæ sese mutuo tangunt, intersecant,
decussant, sentiuntque ita in cœlo luces distinguuntur, uniuntur,
sentiunt. De Sensu Rerum, l. iii. c. 4.
[159] Merchant of Venice, Act V.
12. The world is full of living spirits, he proceeds; and when the
soul shall be delivered from this dark cavern, we shall behold their
subtle essences. But now we cannot discern the forms of the air, and
the winds as they rush by us; much less the angels and dæmons who
people them. Miserable as we are, we recognise no other sensation than
that which we observe in animals and plants, slow and half
extinguished, and buried under a weight that oppresses it. We will not
understand that all our actions and appetites and motions and powers
flow from heaven. Look at the manner in which light is diffused over
the earth, penetrating every part of it with endless variety of
operation, which we must believe that it does not perform without
exquisite pleasure.[160] And hence there is no vacuum in nature,
except by violent means; since all bodies delight in mutual contact,
and the world no more desires to be rent in its parts than an animal.
[160] Prætervolant in conspectu nostro venti et aer, at nihil eos
videmus, multo minus videmus Angelos Dæmonasque, quorum plenus
est mundus.
Infelices qui sensum alium nullum agnoscimus, nisi obtusum
animalium plantarumque, tardum, demortuum aggravatum; sepultum:
nec quidem intelligere volumus omnem actionem nostram et
appetitum et sensum et motum et vim a cœlo manare. Ecce lux
quanto acutissimo expanditur sensu super terram, quo
multiplicatur, generatur, amplificatur, idque non sine magna
efficere voluptate existimanda est, l. iii. c. 5.
Campanella used to hear, as he tells us, whenever any evil was
impending, a voice calling him by his name, sometimes with other
words; he doubted whether this were his proper Dæmon, or the air
itself speaking. It is not wonderful that his imagination was
affected by length of confinement.
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