consecutive verses whose source is at once obvious: "_God_ (Elohim) has taken away my reproach" (E); and "_Jehovah_ adds to me another son" (J), Gen. xxx. 23, 24. Cf. also the illustrations adduced on pp. 13, 14.] The documents already discussed constitute the chief sources of the book of Genesis; but there are occasional fragments which do not seem originally to have belonged to any of them. There were also collections of poetry, such as the Book of Jashar (cf. Josh. x. 13; 2 Sam. i. 18), at the disposal of those who wrote or compiled the documents, and to such a collection the parting words of Jacob may have belonged (xlix.). The poem is in reality a characterization of the various _tribes; v_. 15, and still more plainly _vv_. 23, 24, look back upon historical events. The reference to Levi, _vv_. 5-7, which takes no account of the priestly prerogatives of that tribe, shows that the poem is early (cf. xxxiv. 25); but the description of the prosperity of Joseph (i.e. Ephraim and Manasseh), _vv_. 22-26, and the pre-eminence of Judah, _vv_. 8-12, bring it far below patriarchal times--at least into the period of the Judges. If _vv_. 8-12 is an allusion to the triumphs of David and _vv_. 22-26 to northern Israel, the poem as a whole, which can hardly be later than Solomon's time--for it celebrates Israel and Judah equally--could not be earlier than David's; but probably the various utterances concerning the different tribes arose at different times. The religious interest of Genesis is very high, the more so as almost every stage of religious reflection is represented in it, from the most primitive to the most mature. Through the ancient stories there gleam now and then flashes from a mythological background, as in the intermarriage of angels with mortal women, vi. 1-4, or in the struggle of the mighty Jacob, who could roll away the great stone from the mouth of the well, xxix. 2, 10, with his supernatural visitant, xxxii. 24. It is a long step from the second creation story in which God, like a potter, fashions men out of moist earth, ii. 7, and walks in the garden of Paradise in the cool of the day, iii. 8, to the first, with its sublime silence on the mysterious processes of creation (i.). But the whole book, and especially the prophetic section, is dominated by a splendid sense of the reality of God, His interest in men, His horror of sin, His purpose to redeem. Broadly speaking, the religion of the book stands upon a marvellously high moral level. It is touched with humility-its heroes know that they are "not worth of all the love and the faithfulness" which God shows them, xxxii. 10; and it is marked by a true inwardness-for it is not works but implicit trust in God that counts for righteousness, xv. 16. Yet in practical ways, too, this religion finds expression in national and individual life; it protests vehemently against human sacrifice (xxii.), and it strengthens a lonely youth in an hour of terrible temptation, xxxix. 9. EXODUS