Again, the peculiar boldness of the discussion suggests a post-exilic date. Jeremiah is also very bold, xii. 1, but it is a different type of audacity that expresses itself in the book of Job. Unlike Ecclesiastes in practically everything else, Job is like it in being a sustained and fearless challenge of the phenomena of the moral world. A post-exilic date, and perhaps not a very early one, would seem to be suggested by these phenomena. It is the product not only of an unhappy man, but of an unhappy time, when life is a warfare, vii. 1, and good men are bitter in heart. This date is borne out by the angelology of the book, v. 1, and by its easy use of mythology, iii. 8, xxvi. 5--a mythology which is felt to be completely innocuous, because monotheism is secure beyond the possibility of challenge. It is practically certain that the book falls before Chronicles (_circa_ 300 B.C.) as in 1 Chronicles xxi. 1, Satan is a proper name, whereas in Job the word is still an appellative--he is "the Satan.". Where the evidence is so slender certainty is impossible; but there is a probability that the book may be safely placed somewhere between 450 and 350 B.C. One could conceive it to be, in one sense, a protest against the legalistic conception of religion encouraged by the work of Ezra, and this would admirably fit the date assigned. SONG OF SONGS The contents of this book justify the description of it in the title, i. 1, as the "loveliest song"--for that is the meaning of the Hebrew idiom "song of songs." It abounds in poetical gems of the purest ray. It breathes the bracing air of the hill country, and the passionate love of man for woman and woman for man. It is a revelation of the keen Hebrew delight in nature, in her vineyards and pastures, flowers and fruit trees, in her doves and deer and sheep and goats. It is a song tremulous from beginning to end with the passion of love; and this love it depicts in terms never coarse, but often frankly sensuous--so frankly sensuous that in the first century its place in the canon was earnestly contested by Jewish scholars. That place was practically settled in 90 A.D. by the Synod of Jamnia, which settled other similar questions; and about 120 A.D. we find a distinguished rabbi maintaining that "the whole world does not outweigh the day when the Song of Songs was given to Israel; while all the _Writings_ are holy, the song is holiest of all." This extravagant language suggests that the canonicity of the song had been strenuously contested; and it may have been a latent sense of the secular origin of the song that led to the prescription that a Jew must not read it till he was thirty years of age. Its place in the canon was no doubt secured for it by two considerations, (i) its reputed Solomonic authorship, (ii) its allegorical interpretation.