Fortunately we are able in one case to trace the source of a story. The story of Deborah and Barak is told in chs. iv. and v. Ch. 5, which is so graphic that it must have come from a contemporary-one had almost said an eye-witness--is undoubtedly the older form of the story, as it is in verse. Partly on the basis of this poem ch. iv. has been built up, and the account of Sisera's death in this chapter, iv. 21, which differs from that in v. 26, 27, rests on a misunderstanding of the situation in v. 26. Here we see the risks which the ballads ran when turned into prose, but more important is it to note the poetical origin of the story. Probably ch. v. originally belonged to such a collection as the book of the wars of Jehovah or the book of Jashar, and it is natural to suppose that other stories in the book of Judges--e.g. the exploits of Gideon--may have similarly originated in war-ballads. The religion of the book of Judges is powerful but primitive. The ideal man is the ideal warrior. Grim tales of war are told with unaffected delight, and the spirit of God manifests itself chiefly in the inspiration of the warrior. Gideon and Micah have their idols. Chemosh and Dagon are as real, though not so powerful, as Jehovah. Unlike the redaction, the earlier tales are not given to moralizing, and yet once at least the moral is explicitly pointed, ix. 56ff. But elsewhere the power of religion in life is suggested, not by explicit comment, but rather by the naturalness with which every interest and activity of life are viewed in a religious light. Nowhere is this more obvious than in the priceless song of Deborah[1] (v.). Israel's battles are the battles of Jehovah; her triumph is His triumph. The song is inspired by an intense belief in the national God, but there was little that was ethical in the religion of the period. Jephthah offers his child in sacrifice. Jael is praised for a murder which was a breach of the common Semitic law of hospitality. By revealing, however, so candidly the meagre beginnings of Israel's religion, the book of Judges only increases our sense of the miracle which brought that religion to its incomparable consummation in the fulness of the times. [Footnote 1: The song is not necessarily and not probably composed by Deborah. In v. 12 she is addressed in the 2nd person, and _v_. 7 may be similarly read, "Till _thou_, Deborah, didst arise."] SAMUEL