Introduction to the study of historySeignobos, Charles
History
Introduction to the study of history
Seignobos, Charles
Historiography; History -- Study and teaching
I. History was first conceived as the narration of memorable events. To
preserve the memory and propagate the knowledge of glorious deeds, or of
events which were of importance to a man, a family, or a people; such
was the aim of history in the tune of Thucydides and Livy. In addition,
history was early considered as a collection of precedents, and the
knowledge of history as a practical preparation for life, especially
political life (military and civil). Polybius and Plutarch wrote to
instruct, they claimed to give recipes for action. Hence in classical
antiquity the subject-matter of history consisted chiefly of political
incidents, wars, and revolutions. The ordinary framework of historical
exposition (within which the facts were usually arranged in
chronological order) was the life of a person, the whole life of a
people, or a particular period in it; there were in antiquity but few
essays in general history. As the aim of the historian was to please or
to instruct, or to please and instruct at the same time, history was a
branch of literature: there were not too many scruples on the score of
proofs; those who worked from written documents took no care to
distinguish the text of such documents from their own text; in
reproducing the narratives of their predecessors they adorned them with
details, and sometimes (under pretext of being precise) with numbers,
with speeches, with reflections, and elegances. We can in a manner see
them at work in every instance where it is possible to compare Greek and
Roman historians, Ephorus and Livy, for example, with their sources.
The writers of the Renaissance directly imitated the ancients. For them,
too, history was a literary art with apologetic aims or didactic
pretensions. In Italy it was too often a means of gaining the favour of
princes, or a theme for declamations. This state of affairs lasted a
long time. Even in the seventeenth century we find, in Mézeray, an
historian of the ancient classical pattern.
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