But in her own life she saw no meaning. Her husband was drowned after a
few years of married life, and her one child died young. She had not
been able to make any change in her husband. She had not been able to
teach him earnestness and truth. It was rather in her the change
showed, after she had been more and more with the fishing people. She
would never see any of her own family, for she was ashamed that she now
resembled in everything a fisherman’s wife. If it had only been of any
use! If she, who lived by mending the fishermen’s nets, knew why she
clung so to life! If she had made any one happy or had improved
anybody!
It never occurred to her to think that she who considers her life a
failure because she has done no good to others, perhaps by that thought
of humility has saved her own soul.
HIS MOTHER’S PORTRAIT
In one of the hundred houses of the fishing-village, where each is
exactly like the other in size and shape, where all have just as many
windows and as high chimneys, lived old Mattsson, the pilot.
In all the rooms of the fishing-village there is the same sort of
furniture, on all the window-sills stand the same kinds of flowers, in
all the corner-cupboards are the same collections of sea-shells and
coral, on all the walls hang the same pictures. And it is a fixed old
custom that all the inhabitants of the fishing-village live the same
life. Since Mattsson, the pilot, had grown old, he had conformed
carefully to the conditions and customs; his house, his rooms and his
mode of living were like everybody else’s.
On the wall over the bed old Mattsson had a picture of his mother. One
night he dreamed that the portrait stepped down from its frame, placed
itself in front of him and said with a loud voice: “You must marry,
Mattson.”
Old Mattsson then began to make clear to his mother that it was
impossible. He was seventy years old.—But his mother’s portrait merely
repeated with even greater emphasis: “You must marry, Mattsson.”
Old Mattsson had great respect for his mother’s portrait. It had been
his adviser on many debatable occasions, and he had always done well by
obeying it. But this time he did not quite understand its behavior. It
seemed to him as if the picture was acting in opposition to its already
acknowledged opinions. Although he was lying there and dreaming, he
remembered distinctly and clearly what had happened the first time he
wished to be married. Just as he was dressing as a bridegroom, the nail
gave way on which the picture hung and it fell to the floor. He
understood then that the portrait wished to warn him against the
marriage, but he did not obey it. He soon found that the portrait had
been right. His short married life was very unhappy.
Public-domain text, read in full here on John Shaqi.
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