Perhaps the poet heard, for he heard a great deal when absent-minded.
He paused; his six tall and blooming daughters, two and two behind him,
very naturally paused also, because the poet was bulky and the aisle
narrow.
Those of the elect who had recognized him had now an opportunity to view
him at close range; young women with expressive eyes leaned forward,
quivering; several earnest young men put up lorgnettes.
It was as it should have been; and the poet stood motionless in dreamy
abstraction, until an usher took his coupons and turned down seven
seats. Then the six daughters filed in, and the poet, slowly turning to
survey the house, started slightly, as though surprised to find himself
under public scrutiny, passed a large, plump hand over his forehead, and
slowly subsided into the aisle-seat with a smile of whimsical
acquiescence in the knowledge of his own greatness.
"Who," inquired young Harrow, turning toward Lethbridge--"who is that
duck?"
"You can search me," replied Lethbridge in a low voice, "but for
Heaven's sake _look_ at those girls! Is it right to bunch such beauty
and turn down Senators from Utah?"
Harrow's dazzled eyes wandered over the six golden heads and snowy
necks, lovely as six wholesome young goddesses fresh from a bath in the
Hellespont.
"The--the one next to the one beside you," whispered Lethbridge, edging
around. "I want to run away with her. Would you mind getting me a
hansom?"
"The one next to me has them all pinched to death," breathed Harrow
unsteadily. "Look!--when she isn't looking. Did you ever see such eyes
and mouth--such a superb free poise----"
"Sh-sh-h-h!" muttered Lethbridge, "the bell-mule is talking to them."
"Art," said the poet, leaning over to look along the line of fragrant,
fresh young beauty, "Art is an art." With which epigram he slowly closed
his eyes.
His daughters looked at him; a young woman expensively but not smartly
gowned bent forward from the row behind. Her attitude was almost
prayerful; her eyes burned.
[Illustration:
He paused; his six tall and blooming daughters two and two
behind him.]
"Art," continued the poet, opening his heavy lids with a large, sweet
smile, "Art is above Art, but Art is never below Art. Art, to be Art,
must be artless. That is a very precious thought--very, very precious.
Thank you for understanding me--thank you." And he included in his large
smile young Harrow, who had been unconsciously bending forward,
hypnotized by the monotonous resonance of the poet's deep, rich voice.
Now that the spell was broken, he sank back in his chair, looking at
Lethbridge a little wildly.
"Let me sit next--after the first act," began Lethbridge, coaxing;
"they'll be watching the stage all the first act and you can look at 'em
without being rude, and they'll do the same next act, and I can look at
'em, and perhaps they'll ask us what Art really is----"
"Did you hear what that man said?" interrupted Harrow, recovering his
voice. "_Did_ you?"
"No; what?"
Public-domain text, read in full here on John Shaqi.
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