Ireland as it is, and as it would be under Home RuleBuckley, Robert John
History
Ireland as it is, and as it would be under Home Rule
Buckley, Robert John
Home rule -- Ireland; Ireland -- Politics and government -- 1837-1901; Irish question
As for to-day, the magnificence of the pageant beggars description.
Whether regarded from a scenic point of view or with respect to
numbers and enthusiasm, never since Belfast was Belfast has the city
looked upon a sight approaching it. From early morning brass bands and
fife bands commenced to enter the city from every point of the
compass, and wherever you turned the air resounded with the inspiring
rattle of the drum. Monday's display of bunting was sufficiently
lavish to suggest the impossibility of exhibiting any more, but the
Belfasters accomplished the feat, and the bright sunshine on the
brilliant colours of the myriad banners was strongly reminiscent of
Paris _en fete_ under the Empire. The Belfast streets are long,
straight, and wide, and mostly intersect at right angles. Much of the
concourse was thus visible from any moderate coign of vantage, and
from the Grand Stand in Donegal Place the sight was truly wonderful.
The vast space, right, left, and front, was from 10 o'clock closely
packed with a mighty multitude that no man could number, and
locomotion became every moment so painful as to threaten total
stagnation. The crowd was eminently respectable and perfectly orderly,
and submitted to the passage of innumerable musical organisations with
charming good humour. Never have I seen or heard of such an assemblage
of bands, all uniformed, all preceded by gorgeous banners bearing all
kinds of loyal and party mottoes, all marching in splendid military
fashion, and of themselves numerous enough to furnish a very
considerable demonstration. Many of the tunes were of a decidedly
martial character, and strange to English ears, such as the "Boyne
Water," the "Orange Lily" and the "Protestant Boys," the last being a
version of the "Lillibulero" so often mentioned by Scott. All these
tunes, more or less distasteful to Nationalists, were interspersed
with others less debatable, such as "Rule Britannia," "The Old Folks
at Home," "The Last Rose of Summer," "God Save the Queen," and "See
the Conquering Hero comes," which last generally accompanied the
portrait of Orange William, the "Glorious, Pious, and Immortal,"
mounted on his famous white charger, which noble animal is depicted in
the attitude erroneously believed to be peculiar to that of Bonaparte
when crossing the Alps. The Earl of Beaconsfield was also to the fore
with primroses galore; indeed, the favourite flower was invariably
worn by the ladies, who were greatly in evidence. "Our God, our
Country, and our Empire" was the motto over Mr. Balfour, with a huge
"Welcome" in white on scarlet ground, the whole surrounded by immense
Union Jacks. The familiar red, white, and blue bore the brunt of the
decorative responsibilities, although here and there the green flag of
Ireland hung cheek by jowl with the English standard, emphasising the
friendliness of the present Union. As time went on the crowd became
more and more dense, and a breathless pressman, who reached his post
Public-domain text, read in full here on John Shaqi.
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