Ireland, Historic and PicturesqueJohnston, Charles
History
Ireland, Historic and Picturesque
Johnston, Charles
Ireland -- Description and travel; Ireland -- History
The peat gradually displaced an early forest of giant oaks. Their stems
are still there, standing rooted in the older clay. Where they once
stood no trees now grow. The whole face of the land has changed. Some
great change of climate must lie behind this vanishing of vast forests,
this gradual growth of peat-covered moors. A dry climate must have
changed to one much damper; heat must have changed to cold, warm winds
to chilly storms. In the southern promontories, among red sandstone
hills, still linger survivors of that more genial clime--groves of
arbutus that speak of Greece or Sicily; ferns, as at Killarney, found
elsewhere only in the south, in Portugal, or the Canary Islands.
[Illustration: Muckross Abbey, Killarney.]
On the southwestern horizon from Toppid Mountain, when the sky is clear
after rain, you can trace the outline of the Curlew hills, our
southern limit of view from Knocknarea. Up to the foot of the hills
spreads a level country of pastures dappled with lakes, broken into a
thousand fantastic inlets by the wasting of the limestone rock. The
daisies are the stars in that green sky. Just beyond the young stream of
the Shannon, where it links Lough Garra to Lough Key, there is a lonely
cromlech, whose tremendous crown was once upheld by five massive
pillars. There is a kindred wildness and mystery in the cromlech and the
lonely hills.
Southward again of this, where the town of Lough Rea takes its name from
the Gray Lake, stands a high hill crowned by a cromlech, with an
encircling earthwork. It marks a green ring of sacred ground alone upon
the hill-top, shut off from all the world, and with the mysterious
monument of piled stones in its centre; here, as always, one huge block
upheld in the air by only lesser blocks. The Gray Lake itself, under
this strange sentry on the hill, was in long-passed ages a little
Venice; houses built on piles lined its shores, set far enough out into
the lake for safety, ever ready to ward off attack from the land. This
miniature Venice of Lough Rea is the type of a whole epoch of turbulent
tribal war, when homes were everywhere clustered within the defence of
the waters, with stores laid up to last the rigors of a siege.
The contrast between the insecurity and peril of the old lake dwellings
and the present safety of the town, open on all sides, unguarded and
free from fear, is very marked. But not less complete is the contrast
between the ancient hamlet, thus hidden for security amid the waters,
and the great cromlech, looming black against the sky on the hill's
summit, exposed to the wildness of the winds, utterly unguarded, yet
resting there in lonely serenity.
Public-domain text, read in full here on John Shaqi.
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