Ireland in Fiction: A Guide to Irish Novels, Tales, Romances, and Folk-loreBrown, Stephen J. M. (Stephen James Meredith)
General
Ireland in Fiction: A Guide to Irish Novels, Tales, Romances, and Folk-lore
Brown, Stephen J. M. (Stephen James Meredith)
English fiction -- Irish authors -- Bibliography; Ireland -- In literature -- Bibliography
Scene chiefly Dublin Castle. Cromwellian cruelties under Ludlow
depicted, and early years of Restoration. The Robber Chieftain
is Redmond O’Hanlon, the Rapparee. The Ven. Oliver Plunket is
also one of the characters. Some incidents suggest Catholic
standpoint, but in places the book reads like a non-Catholic
(though not anti-Catholic) tract. The hero and heroine are
Protestant. Full of sensational incidents, duels, waylayings
by robber bands, law court scenes, tavern brawls. Also many
repulsive scenes of drunkenness among the native Irish, and
of murder, wild vengeance, and villainy of all kinds. Hardly
suitable for young people.
⸺ ROMAN CATHOLIC PRIEST, THE. Pp. 298. (_Curry_). One illustr. by
Kirkwood. 1827.
A Catholic boy, Doyle, risks his life and saves a Protestant
boy from drowning. The boy’s father out of gratitude offers to
send Doyle to T.C.D., guaranteeing that “he will not have to
make even a temporary renunciation of his religion.” But the
priest refuses, and soon Doyle becomes a Protestant.
⸺ SAINT PATRICK: a National Tale of the Fifth Century; by “An Antiquary.”
Three Vols. (EDIN.: _Constable_). 1819.
A romance of love and vengeance and druidical mysteries into
which St. Patrick enters as one of the _dramatis personæ_.
There are plenty of exciting incidents, some fine scenes, and
a very good picture of druidism in the fifth century. Very
well written but for the unfortunate introduction of modern
Irish brogue and Scotch dialect. The religious point of view
is Church of Ireland, and there is an effort to represent the
Christianity of those days as essentially different from the
Catholicism of these. Scene: chiefly Tara, Dunluce, the Giant’s
Causeway, the Bann.
⸺ SEPARATIST, THE; by “A New Writer.” Pp. 323. (_Pitman_). 6_s._ 1902.
The love story of Stella Mertoun, who is a Royalist, and Philip
Venn, who is on the Parliamentary side in the Civil War. Only
a small portion of the action takes place in Ireland. The
author’s sympathies are with the Puritans, but the bias is not
pronounced.
⸺ SIEGE OF MAYNOOTH, THE; or, Romance in Ireland. Two Vols. (CHELSEA:
_Ridgeway_). 1832.
A very long novel with a rather confused plot, but containing
good scenes. Purports to be a MS. given to her descendant by
the old Countess of Desmond, who has fallen on evil days, and
relating stirring incidents of the Desmond wars and of the
rebellion of Silken Thomas, including the attack on Desmond
castle by the Butlers, the defeat and capture of Lord Grey in
Glendalough, the escape of Lord Thomas Fitzgerald from the
Black Castle of Wicklow, and the siege and betrayal of the
Castle of Maynooth. Written on the whole from the Irish point
of view.
⸺ SIR ROGER DELANEY OF MEATH; by “Hal.” Pp. 228. (_Simpkin, Marshall_).
6_s._ 1908.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account