Ireland in Fiction: A Guide to Irish Novels, Tales, Romances, and Folk-lore — John Shaqi
Ireland in Fiction: A Guide to Irish Novels, Tales, Romances, and Folk-loreBrown, Stephen J. M. (Stephen James Meredith)
General
Ireland in Fiction: A Guide to Irish Novels, Tales, Romances, and Folk-lore
Brown, Stephen J. M. (Stephen James Meredith)
English fiction -- Irish authors -- Bibliography; Ireland -- In literature -- Bibliography
1. Mick Callighin leaves Ballypooreen, somewhere near the
Galtees, of which there is a fine description, for Dublin and
then London. He meets his future wife in Kensington Gardens.
The plot is slight, but there is a good deal of pleasant wit,
many political hits, and much satire, not of Home Rule but of
Home Rulers.
2. Arthur Mervyn meets Col. de Burgho and his daughter, home
from Italy. An Italian count, who is also a pirate, carries off
Nora, but she is rescued and married to Arthur. A pretty story,
with some good descriptions of life among the better classes in
the West of Ireland.
=ANDREWS, Elizabeth, F.R.I.A.=
⸺ ULSTER FOLKLORE. Pp. 121. (_Stock_). 5_s._ net. Fourteen illustr.,
mainly from photos. 1914.
A series of papers read before local learned societies or
contributed to archæological journals. An endeavour to deal
with the folk belief in fairies from an archæological point of
view. The conclusion is that the “souterrains” were originally
the abode of a primitive pigmy race. Imbedded in these pages
(the outcome of much personal research) are many good fairy and
folk stories.
=ANDREWS, Marion.=
⸺ COUSIN ISABEL. Pp. 147. (_Wells Gardner, Darton_). 1_s._ 6_d._ Two
illustr. 1903.
A tale, for young people, of the Siege of Londonderry, the
hardships of the defenders, and their brave patience. Isabel,
a veritable angel of mercy for her uncle and cousins is
a pleasant study. Another fine character is old Geoffrey
Lambrick, drawn from a quiet life and his tulips into the smoke
of battle.
=[ARCHDEACON, Matthew].=
⸺ LEGENDS OF CONNAUGHT, TALES, &c. Pp. 406. (DUBLIN: _John Cumming_).
1829.
Seven stories:—“Fitzgerald,” “The Banshee,” “The Election,”
“Alice Thomson,” “M’Mahon,” “The Rebel’s Grave,” “The
Ribbonman.” “Almost every incident in each tale is founded on
fact.” (Pref.). The first story (165 pp.) depicts Connaught “in
a wild and stormy state of society” towards the close of the
eighteenth century, and records the wild deeds and memorable
exit of the very widely known individual who is its hero.
⸺ CONNAUGHT: a Tale of 1798. Pp. 394. (DUBLIN: _printed for M.
Archdeacon_). 1830.
The Author was “from infancy in the habit of hearing details
of ‘the time of the Frinch’” ... and has “had an opportunity
of frequently hearing the insurrectionary scenes described by
some of the Actors themselves.” (Pref.) The Author is loyalist,
but not bitterly hostile to the rebels. The rebellion is not
painted in roseate colours, but it is not misrepresented.
Humbert’s campaign is vividly described, but history does not
absorb all the interest. The love story (the lovers are on
the rebel side) is told with zest, and there is abundance of
exciting incident. Quite well written.
⸺ SHAWN NA SAGGARTH, THE PRIESTHUNTER. (_Duffy_). 6_s._ 1843.
A tale of the Penal times.
Public-domain text, read in full here on John Shaqi.
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