Ireland in the Days of Dean Swift (Irish Tracts, 1720 to 1734)Swift, Jonathan
History
Ireland in the Days of Dean Swift (Irish Tracts, 1720 to 1734)
Swift, Jonathan
Ireland -- History -- 18th century; Swift, Jonathan, 1667-1745
There is no need to refer here to the other works of genius that came from
his pen; they are well known. The object of the present writer is to deal
exclusively with what has reference to Ireland, and while exhibiting Swift
as a patriot, no attempt is made to exclude his faults or deny his
imperfections; those faults were redeemed by devoted friendship and noble
generosity.
His friendship with Addison continued till the day of his death, and so
strong was the bond between them, that when the two met for an evening,
they never wished for a third person to support or enliven the
conversation. Of him, Pope said:--"Nothing of you can die; nothing of you
can decay; nothing of you can suffer; nothing of you can be obscured or
locked up from esteem and admiration, except what is at the Deanery. May
the rest of you be as happy hereafter as honest men may expect and need
not doubt, while they know that their Maker is merciful." One can imagine
how dear he was to those friends, when Bolingbroke writes:--"I love you
for a thousand things, for none more than for the just esteem and love
which you have for all the sons of Adam." No one esteemed Swift more than
Lord Carteret, who, when hearing of his illness, wrote:--"That you may
enjoy the continuation of all happiness is my wish. As to futurity I know
your name will be remembered, when the names of Kings, Lord-Lieutenants,
Archbishops, and Parliamentary politicians will be forgotten. At last you
yourself must fall into oblivion, which may be less than one thousand
years, though the term may be uncertain and will depend on the progress
that barbarity and ignorance may make, notwithstanding the sedulous
endeavours of the great Prelates in this and succeeding ages."
The account of Swift thus coming from men of the greatest genius of their
age, carries with it incontestable evidence in his favour, and completely
pulverizes the slanderous accusations heaped on him by his enemies. The
manly tone of his writing penetrated the character of the whole English
colony and bore fruit, long after the proud heart was laid at rest in the
great Irish cathedral. The place is marked by an inscription written by
himself, and touchingly refers to a time when the heart can no longer be
tortured with fierce indignation born from the contemplation of licensed
injustice. The character of Swift has long been vindicated, for animosity
perishes, but humanity is eternal.
THE DRAPIER'S LETTERS.
Public-domain text, read in full here on John Shaqi.
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