Ireland -- Description and travel; Ireland -- Social conditions
But the same thing can hardly be said of the illustrated and coloured
sheets that accompany the weeklies, and which are placarded everywhere.
Those prints, bearing upon the political topics of the day, may possess
the merit of teaching the crowd the lesson to be drawn from events; but
they are lamentably inefficient from an artistic point of view.
Ireland, decidedly, shines no more than does our own Brittany in the
plastic arts. Her best painter has been Maclise, and he is by no means a
great master. However, her coloured prints delight the hearts of the good
people of Dublin. An old newspaper-seller, smoking her pipe at the corner
of Leinster Street, holds her sides for very laughter as she contemplates
the cartoon given this day by the _Weekly News_; it represents a mob
of Orangemen in the act of pelting the Queen’s police with stones at
Belfast. Underneath run the words: “_Behold loyal Ulster!_”
* * * * *
The quays of the Liffey are lined with book-shops like those of the
Seine in Paris, to which they present a certain likeness. Following the
quays from the west, one passes the building where sit the four Supreme
Courts—Chancery, Exchequer, Queen’s Bench, and Common Pleas. The statues
of Faith, Justice, Wisdom, and Piety rise under its Corinthian peristyle,
which caused the typical Irish peasant, the Paddy of legend, to exclaim:
“They did well to place them outside, for no one will ever meet them
inside!”
The judges, chosen by the Queen’s government, bear the title of _Chief
Justice_ or _Baron_. There are four at each tribunal, each provided with
a salary ranging from three to eight thousand pounds a year. They sit in
groups of three, bewigged and clad in violet gowns, with peach-coloured
facings, at the extremity of a recess screened by red curtains. Before
them sit the barristers and clerks in black gowns and horsehair wigs.
The writs and briefs of procedure, written out upon awe-inspiring sheets
of foolscap paper, are piled up within capacious green bags, such as
are only seen with us at the Comédie Française when they play _Les
Plaideurs_. The judges appear to be a prey to overwhelming _ennui_, so
do the barristers. The public, not being paid as highly as they are for
remaining in this sleepy atmosphere, keep constantly going in and out.
Now and then, however, Irish wit must have its due: some one delivers
himself of a spicy remark; everyone wakes up a bit to laugh, after which
business quietly resumes its dull course.
CHAPTER III.
THE POOR OF DUBLIN.
Public-domain text, read in full here on John Shaqi.
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