Ireland -- Description and travel; Ireland -- Social conditions
She has seen the boy, she says, near the shop window, looking wistfully
for a long time on the chops and finally pocketing one. However, her
account is not very clear. All those people make her shy, and she does
not speak out loud, so the clerk takes the trouble to read over to her
the evidence she has just given. Does she know how to write? Can she
sign her name? Yes. They place a pen in her fingers, and with infinite
trouble, bending her small fair head, shooting out her lips, she writes
on the legal parchment with her tiny trembling hand her name and surname:
_Maggie Flanagan_.
“Well! prisoner, what have you to say?”
The unfortunate boy stammers that he was hungry, that there was not a
penny in the house, and that he had no work.
“What is your father’s trade?”
“He is gone to Australia, your honour. Mother has been left with four
children. I am the eldest. We had eaten nothing for two days.”
One feels he is speaking the truth. Every heart is moved.
Suddenly a shrill voice bursts out from the lower end of the room,
wailing: “Oh, your honour, don’t send him to jail!...”
It is the woman I saw on the quay; the one that I followed to that
Purgatory. The mother of the culprit very likely.
“I am obliged to remand you for a week in order to examine the
circumstances of the case,” the judge says, in a manner that shows he is
anxious to arrange the affair with kindness.
The prisoner goes out of the dock following the warder, and disappears
through a small side door.
The mother has gone away without waiting, and I hurry to follow her. But
she walks so fast that I can hardly keep pace with her.
She passes again on the bridge, walks along the quay, plunges in a
by-street, goes up towards the south-western quarters of Dublin, called
the _liberties_ of the town. Suddenly I lose sight of her at the corner
of a narrow lane, and after winding round and round I am obliged to
renounce coming up with her. There is a way of course to come to the
relief of those poor creatures, by sending one’s subscription to the
judge according to the British fashion. But I wanted to see them at home
in their den, wallowing in their squalor, to see whether men or destiny
bear the responsibility for such dark distress.
Alas! examples are not wanting, and I have only to cross the first
door that opens before me. Along these lanes yawn dark alleys from
which hundreds of half-naked children are swarming out. All ages are
represented; they are in the most fantastical and unexpected attire. One
has got on breeches fastened under the shoulders by a piece of cord in
lieu of braces; the same is full of holes large enough for his head to go
through. Another has no shirt, and trails in the gutter the jagged skirt
of a coat slashed like a doublet, and with only one sleeve left. They are
all of them so extravagantly slovenly that it seems to be a competition
for rags.
Public-domain text, read in full here on John Shaqi.
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