Ireland -- Description and travel; Ireland -- Social conditions
As for the mud cabin, generally described as the Irish peasant’s only
home, it is now a thing of the past. One would hardly, and after much
research, find some specimens of it in the farthest counties, at the end
of Kerry or Mayo.
True to say, when found, those specimens leave nothing to be desired for
poverty and discomfort; no fire-place, no windows, no furniture; nothing
but a roof of turf supported by a few poles on mud walls. The very pig
that formerly shared its luxuries with the _genus homo_ and indicated a
certain degree of relative comfort in his possessor, the pig himself has
disappeared for ever.
But those are exceptions, almost pre-historic cases. As a rule the mud
cabin has been blotted out from the Irish soil—perhaps enlightened
landlords systematically pursued its eradication; perhaps the peasants,
tired of its tutelary protection, emigrated under other skies,—or more
simply still, they took advantage of the last famine to die of hunger.
Upon which came the rain, and two or three years sufficed to dilute the
walls, render the mud house to the common reservoir, and wash out its
very remembrance.
The population of Ireland, it must be borne in mind, has been steadily
decreasing for half a century. It was of 8,175,124 inhabitants in 1841;
of 6,552,385 in 1851; 5,798,584 in 1861; 5,412,377 in 1871; and 5,174,836
in 1881. By all appearances it must now have sunk under five millions. If
this fish-eating race was not the most prolific under the sun it would
have been blotted out long ago from the face of this planet.
CHAPTER V.
THE RACE.
The essential character of Irish scenery is, besides the green colour
and the absence of trees, the frequent ruins that meet the eyes
everywhere—one cannot go two steps without seeing them. Ruins of castles,
abbeys, churches, or even humble private dwellings. There are quarters of
large towns or boroughs, such as for instance the northern one in Galway,
that might be taken at night, with their sinister looking rows of houses,
roofless and with gaping walls, for a street in Herculaneum or Pompeii.
When the ancient stone walls are those of a church or chapel, they
generally serve as a setting for the legends of the countryside; there
occurred all the terrifying tales of former days, there took place all
the local miracles, and there still is the favourite haunt of illustrious
spirits, of fairies and _banshee_.
Almost in every case the graves of a hamlet come to group themselves at
the foot of those ivy-clothed old walls, by an instinctive and touching
effect of the Irishman’s passionate love for the traditions of his race;
and those graves, generally covered with great slabs of stone, scattered
among the tall grasses, wild and moss-grown, without cross or emblem of
any sort, well accord with the melancholy aspect of the site.
Public-domain text, read in full here on John Shaqi.
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