Irish ImpressionsChesterton, G. K. (Gilbert Keith)
History
Irish Impressions
Chesterton, G. K. (Gilbert Keith)
Ireland -- Civilization; Irish question
no work for a capitalist’s profit, but dreamed of some day doing work
for his own profit. But there may also have been this distorted truth
in the tradition; that a free peasant, while he extends his own work,
creates his own holidays. He is not idle all day, but he may be idle
at any time of the day; he does not dream whenever he feels inclined,
but he does dream whenever he chooses. A famous Belfast manufacturer,
a man of capacity, but one who shook his head over the unaccountable
prevalence of priests, assured me that he had seen peasants in the
south doing nothing, at all sorts of odd times; and this is doubtless
the difference between the farm and the factory. The same gentleman
showed me over the colossal shipping of the great harbour, with all
machinery and transport leading up to it. No man of any imagination
would be insensible to such titanic experiments of his race; or deny
the dark poetry of those furnaces fit for Vulcan or those hammers
worthy of Thor. But as I stood on the dock I said to my guide: ‘Have
you ever asked what all this is for?’ He was an intelligent man, an
exile from metaphysical Scotland, and he knew what I meant. ‘I don’t
know,’ he said, ‘perhaps we are only insects building a coral reef.
I don’t know what is the good of the coral reef.’ ‘Perhaps,’ I said,
‘that is what the peasant dreams about, and why he listens to the
priest.’
For there seems to be a fashionable fallacy, to the effect that
religious equality is something to be done and done with, that we may
go on to the real matter of political equality. In philosophy it is
the flat contrary that is true. Political equality is something to be
done and done with, that we may go on to the much more real matter
of religion. At the Abbey Theatre I saw a forcible play by Mr St John
Irvine, called _The Mixed Marriage_, which I should remember if it were
only for the beautiful acting of Miss Maire O’Neill. But the play moved
me very much as a play; yet I felt that the presence of this fallacy
falsified it in some measure. The dramatist seemed to resent a schism
merely because it interfered with a strike. But the only object of
striking is liberty; and the only object of liberty is life: a thing
wholly spiritual. It is economic liberty that should be dismissed as
these people dismiss theology. We only get it to forget it. It is right
that men should have houses, right that they should have land, right
that they should have laws to protect the land; but all these things
are only machinery to make leisure for the labouring soul. The house is
only a stage set up by stage carpenters for the acting of what Mr J. B.
Yeats has called ‘the drama of the home.’ All the most dramatic things
happen at home, from being born to being dead. What a man thinks
about these things is his life; and to substitute for them a bustle of
electioneering and legislation is to wander about among screens and
pulleys on the wrong side of pasteboard scenery, and never to act the
play.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account