Irish Wonders: The Ghosts, Giants, Pooka, Demons, Leprechawns, Banshees, Fairies, Witches, Widows, Old Maids, and other Marvels of the Emerald IsleMcAnally, D. R. (David Russell)
General
Irish Wonders: The Ghosts, Giants, Pooka, Demons, Leprechawns, Banshees, Fairies, Witches, Widows, Old Maids, and other Marvels of the Emerald Isle
The central portion was a large, square structure; except in size, not
differing greatly from the isolated castles found in all parts of Ireland,
and always in pairs, as if, when one Irish chieftain built a castle, his
rival at once erected another a mile or so away, for the purpose of
holding him in check. This central fort was connected by double walls, the
remains of covered passages, with smaller fortresses, little castles built
into the wall surrounding the citadel; and over these connecting walls,
over the little castles, and over the piles of loose stones where once the
strong outer walls had stood, the ivy grew in luxuriant profusion,
throwing its dark green curtain on the unsightly masses, rounding the
sharp edge of the masonry, hiding the rough corners as though ashamed of
their roughness, and climbing the battlements of the central castle to
spread nature’s mantle of charity over the remains of a barbarous age, and
forever conceal from human view the stony reminders of battle and blood.
The success of the ivy was not complete. Here and there the corner of a
battlement stood out in sharp relief, as though it had pushed back the
struggling plant, and, by main force, had risen above the leaves, while on
one side a round tower lifted itself as if to show that a stone tower
could stand for six hundred years without permitting itself to become
ivy-grown; that there could be individuality in towers as among men. The
great arched gateway too was not entirely subjugated, though the climbing
tendrils and velvety leaves dressed the pillars and encroached on the
arch. The keystone bore a rudely carved, crowned head, and ivy vines,
coming up underneath the arch, to take the old king by surprise, climbed
the bearded chin, crossed the lips, and were playing before the nose as if
to give it a sportive tweak, while the stern brow frowned in anger at the
plant’s presumption.
But only a few surly crags of the citadel refused to go gracefully into
the retirement furnished by the ivy, and the loving plant softened every
outline, filled up every crevice, bridged the gaps in the walls, toned
down the rudeness of projecting stones, and did everything that an
ivy-plant could do to make the rugged old castle as presentable as were
the high rounded mounds without the city, cast up by the besiegers when
the enemy last encamped against it.
[Illustration: A Modern Irish Village]
Public-domain text, read in full here on John Shaqi.
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