Here we are presented with two obvious tasks: the first, to enquire what this happiness is, what are the qualities and attractions generally ascribed to it; the second, to analyse it, as it is thus held up to us, and to see if its professed ingredients are sufficient to make up the result. To proceed then, all moral systems must, as we have just seen, postulate some end of action, an end to which morality is the only road. Further, this end is the one thing in life that is really worth attaining; and since we have to do with no life other than this one, it must be found amongst the days and years of which this short life is the aggregate. On the adequacy of this universal end depends the whole question of the positive worth of life, and the essential dignity of man. That this is at least one way of stating the case has been often acknowledged by the positive moralists themselves. The following passage, for instance, is from the autobiography of J.S. Mill. '_From the winter of 1821_,' he writes, '_when I first read Bentham.... I had what might truly be called an object in life, to be a reformer of the world.... I endeavoured to pick up as many flowers as I could by the way; but as a serious and permanent personal satisfaction to rest upon, my whole reliance was placed on this.... But the time came when I awakened from this as from a dream.... It occurred to me to put the question directly to myself: "Suppose that all your objects in life realised; that all the changes in institutions and opinions which you were looking forward to, could be completely effected in this very instant, would this be a very great joy and happiness to you?" And an irrepressible self-consciousness distinctly answered "No!" At this my heart sank within me: the whole foundation on which my life was constructed fell down.... The end had ceased to charm, and how could there ever again be any interest in the means? I seemed to have nothing left to live for.... The lines in Coleridge's "Dejection" exactly describe my case_:-- "_O grief without a pang, void, dark and drear, A dreary, stifled, unimpassioned grief, Which finds no natural outlet nor relief In word, or sigh, or tear. * * * * * Work without hope draws nectar in a sieve, And life without an object cannot live._"'