Referring back to those times, entering one of the chapels during the time of service, we should, perhaps, be astonished and chilled by the want of animation and ardour, if these are to be tested by the apparent excitement. Indeed, to our taste, the service must have appeared very formal and frigid; not merely in the fact that no instrumental music of any kind would have been tolerated, no response or chant, but, in many congregations, there was no singing at all. To the stricter Puritan sensibility this would have been merely intolerable. We have instances of ministers who were made uncomfortable in their churches, and compelled to relinquish them, because they desired to introduce some religious melody; in other instances it was the minister who disapproved such extravagant piety in his people. The Society of Friends was not alone in its renunciation of all the adornments and flights of religious song. Even where singing was indulged, it was Patrick’s or the Scotch version, or some such literal translation of the words of Scripture. Paraphrases and more expanded religious sentiments had never been heard of, and were regarded, when first introduced, as seditious and dangerous innovations, disturbing the purity of so reasonable a service, which derived all its life and interest from its most perfect conformity to a spiritual order; the simple voice of the minister in prayer, and in preaching, meandering in many instances through roads of uncommon length. We have instances on record of a prayer itself taking the entire length of that time we now ordinarily allot to a public service. This state of things in the congregation must have greatly influenced the religious life of the times where it existed at all. It became cold, remote, and abstract; not that there were wanting instances, both of ministers and congregations, who maintained, in the midst of so much lifelessness, a high spiritual state and intercourse.